What Went Down | ||||
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Studio album by Foals | ||||
Released | 28 August 2015 | |||
Recorded | 2014–2015 | |||
Studio | La Fabrique (Saint-Rémy-de-Provence, France) |
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Genre | ||||
Length | 48:21 | |||
Label | ||||
Producer | James Ford | |||
Foals chronology | ||||
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Singles from What Went Down | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 77/100 |
Review scores | |
Source | Rating |
AllMusic | |
The Daily Telegraph | |
Entertainment Weekly | A− |
The Guardian | |
Mojo | |
NME | 7/10 |
Pitchfork Media | 6.7/10 |
Q | |
Rolling Stone | |
Uncut | 8/10 |
What Went Down is the fourth studio album by British rock band Foals, released on 28 August 2015 via Transgressive Records in the United Kingdom. The album is produced by James Ford, known for his work with Simian Mobile Disco, The Last Shadow Puppets and Arctic Monkeys amongst others. According to frontman Yannis Philippakis, it is slated to be their loudest and heaviest record to date.What Went Down debuted at #3 on the UK Albums Chart and at #58 on the Billboard 200, making it their highest charting album in the United States to date.
On 9 June 2015, a 12-second clip teaser of the band performing aggressively in an empty warehouse entitled "FOALS // 2015" was released through their social media. Two days later, it was announced that What Went Down was to be released 28 August 2015 via Transgressive Records with a slightly longer trailer in lieu.
On 16 June, the album's self-titled debut single was debuted on DJ Annie Mac's BBC Radio 1 show, along with the premiere of the music video (directed by Niall O'Brien) via YouTube.
What Went Down received largely positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 23 reviews, which indicates "generally favorable reviews".
Mark Beaumont of NME praised the album saying, "For ‘What Went Down’, written in their Oxford “stinkbox”, they have found their fulcrum. Riffs. Massive, fucking heavy cavern rock riffs, the size of cathedrals and the weight of God’s balls. They slammed into your eardrums like wrecking balls the first time you heard the compulsive title-track, aghast that these desert rock goliaths could be the same band that sounded like frivolous disco pixies just two years ago. Opening their fourth album, Yannis roaring “When I see a man I see a lion!” over its Stooges-meets-Queens fuzz throttle, it sounds like a defining statement, an arrival. They’ve mastered math rock, destroyed disco and flattened funk, now they measure hard rock in their hands like a medicine ball, and find it a comfortable weight."