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What They Do

Illadelph Halflife
Illadelph.jpg
Studio album by The Roots
Released September 24, 1996
Recorded 1996
Genre Hip hop, underground hip hop, jazz rap
Length 78:45
Label DGC, Geffen
Producer The Grand Negaz, Kelo, Questlove, Q-Tip (The Ummah), Raphael Saadiq, Scratch, Chaos
The Roots chronology
Do You Want More?!!!??!
(1995)Do You Want More?!!!??!1995
Illadelph Halflife
(1996)
Things Fall Apart
(1999)Things Fall Apart1999
Singles from Illadelph Halflife
  1. "Clones"
    Released: July 16, 1996
  2. "Concerto of the Desperado"
    Released: 1996
  3. "What They Do"
    Released: November 19, 1996
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars
Chicago Tribune 3/4 stars
Encyclopedia of Popular Music 3/5 stars
Entertainment Weekly A−
Los Angeles Times 3.5/4 stars
NME 4/10
Rolling Stone 3.5/5 stars
The Rolling Stone Album Guide 4/5 stars
The Source 4.5/5
Spin 9/10

Illadelph Halflife is the third studio album by American hip hop band The Roots, released September 24, 1996 on Geffen Records. It features a tougher and broader sound than their previous album, Do You Want More?!!!??! (1995). The album also contains integration of programmed drums and guest contributions by R&B musicians such as Amel Larrieux and D'Angelo, as well as jazz musicians such as David Murray, Steve Coleman, Cassandra Wilson, Graham Haynes. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. In 2006, the album was selected as one of Hip-Hop Connection's 100 Best Rap Albums from 1995 to 2005.

The New York Times writer Neil Strauss called the album "one of the year's best rap offerings" and wrote that "The Roots move indiscriminately from politically conscious lyrics (not just about black America but also about Bosnia, the Olympics and terrorism) to silly rhymes ('roam like a cellular phone/far from home')".The Philadelphia Inquirer wrote that "while it doesn't sacrifice a smidgen of street-level intensity, it reaffirms just how far-reaching (and how far removed from the gangsta stereotype) hip-hop can be".The Source magazine called it "a thoughtful musical endeavor ... an emotional and spiritually fulfilling aural experience".Spin described it as "an artistic progression, and added confirmation of the Roots' place at hip-hop's vanguard".The San Diego Union-Tribune's Jeff Niesel stated "the Roots find the perfect mixture of jazz and hip-hop for their songs about the hardships of urban life".


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Wikipedia

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