Although Williams had been found dead in his chauffeur-driven Cadillac on his way to a show in Canton, Ohio on New Year's Day, 1953, he was still arguably MGM's hottest act by summer; two albums were in stores by March, Memorial Album and Hank Williams as Luke the Drifter, and within ten weeks of his death he had as many albums on the market as he did when he lived, with hundreds more to follow. As biographer Colin Escott observes, "Hank's entire catalog began moving in unprecedented quantities...The oil well that Hank Williams became in death started to gush." Like Elvis Presley over two decades later, Williams became even larger in death than he had been in life, and MGM capitalized on Hank's growing legend by exploiting the LP market and issuing its remaining Hank recordings as singles.

"Weary Blues from Waiting" had likely been recorded as a demo some time in 1951. The Drifting Cowboys, most of them now working for Ray Price, were brought back to augment the recording with overdubs. While MGM would insensitively overdub strings and other accoutrements to Hank's masters as the years wore on, the results on "Weary Blues from Waitin'" were utterly convincing, and the single rose to #7 on the country singles chart. A major part of the song's success was Williams' typically heart-rendering vocal and the high quality of the composition, which contains what is cited as one of his most haunting lines:

Although the song is copyrighted to Williams alone, it is likely that Ray Price had a hand in writing it during a car ride from Hank's Opry performance to a show in Evansville, Indiana in September 1951 (Price would record the song in a month later). The song would eventually be released in its original, undubbed form.

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