We Are The Physics

We Are the Physics
We Are the Physics performing at London's Garage.
Background information
Origin	Glasgow, Scotland
Genres	Rock, punk rock, post-punk revival, indie rock
Years active	2005 - 2013 2015 (Anniversary Finale)
Labels	This Is Fake DIY Records
Website	wearethephysics.com
Past members	Michael M Michael Guitar Michael Drum Chris Cris

2005 - 2013

We Are the Physics was an indie band from Glasgow, Scotland. The band drew influences from new wave, pop, indie, and math rock, and has a "B-movie" aesthetic.

We Are the Physics hailed from Glasgow, Scotland, and were founded in 2005. Originally known as We Are the Physics Club And Therefore Everything We Say Is Fact, the quartet claim inspiration from bands such as Devo, The Skids, Polysics, Buddy Holly and Ex Models, and described their sound as "mutant science punk rock" (described by them as "...a way to make fairly derivative sound more interesting"). They have played gigs with Art Brut, Polysics, You Say Party! We Say Die!, Desaparecidos (band) and Thirty Seconds to Mars and have appeared on Marc Riley's Brain Surgery on BBC 6 Music. In a concert review, the BBC said of vocalist Michael M: "he doesn’t actually sing so much as run around like one of those aliens from Mars Attacks".

In April 2008, We Are the Physics' video for their single "You Can Do Athletics, btw" (directed by Colin Kennedy) was released, featuring the band as patients in a 1960s style hospital being 'upgraded' by singer Michael M, dressed as a doctor, in order to destroy a 50-ft woman attacking Glasgow. The single was awarded 'Single of the Week' by Drowned in Sound in April 2008. This single preceded the band's debut album, We Are the Physics Are OK at Music, released through This Is Fake DIY Records in May 2008. A headlining tour commenced to promote it. The album was generally well received. The Independent's Simon Price described the album: "The majority of tracks on their debut album sound like the Dead Kennedys' "California Uber Alles" and Soft Cell's "Memorabilia" blended in a cement mixer: an unholy chaos of screeches and bleeps, clangs and shouts", while The Mirror described the album as "short, sharp and to-the-jugular".Drowned in Sound were less complementary, describing the album as "an entirely one-dimensional debut that will either become a favourite of attention-deficit sorts everywhere or be consigned to whatever shores all those unsold Ikara Colt and KaitO LPs washed up on".