War Paint (musical)
| War Paint | |
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| Music | Scott Frankel |
| Lyrics | Michael Korie |
| Book | Doug Wright |
| Basis | 2004 book War Paint by Lindy Woodhead 2007 film The Powder & the Glory by Ann Carol Grossman & Arnie Reisman |
| Premiere | July 18, 2016: Goodman Theatre, Chicago |
| Productions | 2016 Chicago 2017 Broadway |
War Paint is a musical with book by Doug Wright, music by Scott Frankel, and lyrics by Michael Korie, based both on Lindy Woodhead's 2004 book War Paint and on the 2007 documentary film The Powder & the Glory by Ann Carol Grossman and Arnie Reisman. The musical focuses on the lives of and rivalry between 20th-century female entrepreneurs Elizabeth Arden and Helena Rubinstein.
The musical relates the rivalry between two important women of the cosmetics industry, Elizabeth Arden and Helena Rubinstein from the 1930s to the 1960s. Elizabeth Arden was the daughter of a Canadian farmer, and presented her products as emblems of an upper-class life of comfort. Helena Rubinstein, from Poland, "emphasized science", promising an "exotic look." That was "code for Jewish" according to Scott Frankel.
Doug Wright noted: “Together, they not only forged an industry, but a way of life...They absolutely shattered glass ceilings as women in industry." Frankel, explaining the musical style, said: "I’m a huge fan of music from the 1930s, ‘40s, ‘50s and ’60s and, without making it a pastiche, I soaked my brain in the fluids of those periods to see what absorbed naturally."
War Paint premiered at the Goodman Theatre in Chicago in the summer of 2016. Under the direction of Michael Greif, the Chicago production began performances on June 28, 2016, officially opened on July 18, and ran through August 21, 2016. The production starred Patti LuPone as Rubinstein and Christine Ebersole as Arden, with John Dossett as Tommy Lewis, Arden's husband and Douglas Sills, as Harry Fleming, Rubinstein's confidante.
The musical features scenic design by David Korins, costume design by Catherine Zuber, lighting design by Kenneth Posner, sound design by Brian Ronan, orchestrations by Bruce Coughlin, and choreography by Christopher Gattelli.
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