Waldo de los Ríos
| Waldo de los Ríos | |
|---|---|
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| Background information | |
| Born | September 7, 1934 Buenos Aires, Argentina |
| Died | March 28, 1977 (aged 42) Madrid, Spain |
| Genres | Film score |
| Occupation(s) | Composer |
Waldo de los Ríos (7 September 1934 – 28 March 1977) was an Argentine composer, conductor and arranger.
De los Rios was born as Osvaldo Nicholas Ferrara in Buenos Aires into a musical family; his father was a musician and his mother a well known folk singer; he studied composition and arranging at the National Conservatory of Music under Alberto Ginastera and Teodoro Fuchs. He was inspired by an eclectic range of music and formed a musical group called "The Waldos" which crossed folk music with electronic sounds. De los Rios turned to work in cinema and film sound tracks where his compositions were heard in the 1967 film Pampa Salvaje, for which he received a prestigious award from the Argentine Cinematographic Association. He relocated to the USA in 1958 and then to Spain in 1962.
He is best remembered for his ability to transform European classical music into pop music. His 1971 arrangement of Mozart's Symphony No. 40, recorded with the Manuel de Falla orchestra, reached the top spot in the Dutch charts and scored a top 10 hit in several other European countries. In 1970, prior to this success, Waldo de los Rios had already climbed the charts around Europe and America with Ludwig van Beethoven's Ode To Joy, which he arranged and conducted for Miguel Ríos.
His record Mozart in the Seventies rearranged famous Mozart pieces in a contemporary style, with a large percussion section. Several tracks from it were used as theme tunes to BBC programmes of that era, including the theme to the BBC's coverage of the Horse of the Year Show (his reworking of Mozart's A Musical Joke). His re-working of Eine Kleine Nachtmusik, used for many years as the theme to the Radio 4 quiz show Brain of Britain, was the subject of frequent complaints from classical music fans (with whom the show was popular) and presenter Robert Robinson described it on air as "Mozart plus sacrilege".
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