Władysław Daniłowski
| Władysław Daniłowski | |
|---|---|
| Born |
Władysław Daniłowski April 26, 1902 Warsaw Poland |
| Died | March 4, 2000 (aged 97) Miami Beach |
| Citizenship | Polish, American |
| Education | Warsaw Conservatory |
| Alma mater | University of Warsaw |
| Occupation | composer, diplomat |
| Years active | 1928-1960 |
| Employer | Dana Records |
| Known for | Chór Dana |
| Spouse(s) | Niusia Nobisowna |
| Children | Gustav |
Władysław Daniłowski (also known by his pseudonyms Władysław Dan and Walter Dana, April 26, 1902 - March 4, 2000) was a Polish and American pianist, composer and singer. A pioneer of jazz and tango in Poland, in the United States he is best known as a promoter of polka music. He wrote the score for the first Polish sound film.
Born April 26, 1902 in Warsaw, then in the Russian-held Congress Poland, to a renowned Polish writer and revolutionary Gustaw Daniłowski. In 1919 he joined the Polish Army and served with distinction during the Polish-Bolshevist War. Following demobilisation he started studies at the Warsaw Conservatory. He studied piano under tutelage of Henryk Melcer-Szczawiński and theory of music in the class of Piotr Rytel. In 1926 he also graduated from the law faculty of the University of Warsaw.
In late 1920s Daniłowski spent two years working for the Polish embassy in Paris, where he fell in love with jazz and tango, two styles of music gaining increasing popularity in Europe at that time. Upon his return to Poland he started composing for the Qui Pro Quo cabaret. Numerous songs written for the star of the cabaret, Hanka Ordonówna, gained him much fame in Warsaw and then in the entire country. Also in 1928 he founded a Chór Dana (Dan's Choir), modelled after The Revelers. In 1929 he also formed an Argentinian Choir V. Dana which helped popularise tango in Poland, to the extent that already by the start of the 1930s it started to be considered a part of Warsaw's folklore.
His music gained him much fame in 1930s Poland and he became one of the most popular composers of the time. His songs were sung by many of the most notable vocalists of the epoch, including Adam Aston, Mieczysław Fogg, Zofia Terné and Mira Zimińska-Sygietyńska, to name but a few. In 1930 he also wrote the score for the first Polish sound film, the Moralność Pani Dulskiej. He later wrote scores for numerous other films, including Dziesięciu z Pawiaka (1931), Dvanáct křesel (1933), Wacuś (1935) and Dodek na froncie (1936). The lyrics for his songs were written by some of the most renowned Polish authors of the time, including Julian Tuwim, Marian Hemar, Konrad Tom and Jerzy Jurandot. Until 1939 he was also the head of the Popular Music Department of the Polish Radio, at the same time he continued a successful diplomatic career for the Polish Ministry of Foreign Affairs.
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