Władysław T. Benda | |
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Władysław Benda, 1900
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Born | January 15, 1873, Poznań Poznań, Poland |
Died | 1948 (aged 74–75) Newark, New Jersey, United States |
Nationality | Polish |
Known for | painter, illustrator, designer |
Władysław Teodor "W.T." Benda (January 15, 1873, Poznań, Poland (Posen, German Empire) – November 30, 1948, Newark, New Jersey, United States) was a Polish painter, illustrator, and designer.
The son of musician Jan Szymon Benda, and a nephew of the actress Helena Modrzejewska (known in the United States as Helena Modjeska), W.T. Benda studied art at the Kraków College of Technology and Art in his native Poland and at the School of Fine Arts in Vienna, Austria. He came to the United States in 1899, to visit his Aunt Helena, who then lived in California. He stayed, and moved to New York City in 1902, where he attended the Art Students League of New York and the William Merritt Chase School. While there, Benda studied under Robert Henri and Edward Penfield.
He joined the Society of Illustrators in 1907, the Architectural League in 1916, and became a naturalized American in 1911. He was also a member of the National Society of Mural Painters.
He remained in NYC for the rest of his life. Benda married Romola Campfield, and they had two daughters, Eleanora and Baria, who were both artists.
Starting in 1905, Benda was primarily a graphic artist. He illustrated books, short stories, advertising copy, and magazine covers for Collier's, McCall's, Ladies' Home Journal, Good Housekeeping, Theatre Magazine and many others. Many publishers regarded Benda as their go-to artist for his dependability and artistic abilities. In his time he was as well known as Norman Rockwell, N.C. Wyeth or Maxfield Parrish. During the 1920s/1930s every publication sought the look of "the American Girl", but Benda's beautiful women were often exotic and mysterious, not homespun pretty like the girls of Harrison Fisher or Howard Chandler Christy. Benda was fiercely proud of his Polish heritage and became closely associated with the Polish-American cultural institution, The Kosciuszko Foundation (see below). During the two World Wars, he designed many posters for both Poland and America. Many of these posters advocated for relief efforts. He was honored with the ‘Polonia Restituta’ decoration by the Polish government following World War I.