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Vojislav Ilić


Vojislav Ilić (Serbian Cyrillic: Војислав Илић) (14 April 1860, Belgrade – 21 January 1894, Belgrade) was a 19th-century Serbian poet of finely chiselled verse, son of the Romanticist playwright and poet Jovan Ilić.

Vojislav failed to complete his college education and was forced to take various clerical positions of minor importance. Living for the most part in penury, he wrote poetry extensively and soon became the leading Serbian poet in the last decades of the nineteenth century. As so many Serbian artists of that era, he died young, of consumption, in 1894.

His poetry exemplifies a classic example of modern Serbian language and features the standard Decadent motifs of the epoch: cruel nature (e.g. cold wind blowing across empty fields), and times of Elagabalus.

Vojislav J. Ilić, Serbian poet, was born in Belgrade on 14 April 1860, the youngest son of poet and politician Jovan Ilić. On both sides of the family was of the highest provincial middle class, but was not noble; his father was fairly wealthy after retiring from the Privy Council in 1882, and living quietly as the patriarch of a literary dynasty which he helped create. Jovan Ilić, together with politicians-historians Jevrem Grujić and Milovan Janković, played a critical role in the St. Andrew Day National Assembly in 1858 when the call for a parliamentary check on Alexander Karađorđević's monastic power for the first time gained popular support. Vojislav was educated at various grade schools and high schools and at the end of his school days he enrolled in the Faculty of Philosophy at Belgrade's Grande école (Velika Škola), but did not graduate. The hub of literary activity was his home, where he befriended Jovan Jovanović Zmaj and Đura Jakšić and even married one of Jakšić's daughters. In certain aspects Vojislav does belong somewhat to all the four main periods of European literary style that he passed through in a period of less than 15 years, a unique phenomenon, but his great merit as a poet is that he emancipated himself from the affectations and puerilities of his masters. Literary critic Jovan Skerlić said one of the most striking aspects of Vojislav's activity is the attention he drew to the form and technique of poetic creation: Vojislav Ilić ima veliko čisto pesnički talenat, više čiste umetnosti, no i jedan srpski pesnik pre njega.


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