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The Golden Age of Grotesque
Marilyn Manson - The Golden Age of Grotesque.png
Studio album by Marilyn Manson
Released May 7, 2003 (2003-05-07)
Recorded 2002–03
Studio
Genre
Length 57:32
Label
Producer
Marilyn Manson chronology
Holy Wood (In the Shadow of the Valley of Death)
(2000)Holy Wood (In the Shadow of the Valley of Death)2000
The Golden Age of Grotesque
(2003)
Lest We Forget: The Best Of
(2004)Lest We Forget: The Best Of2004
Singles from The Golden Age of Grotesque
  1. "Mobscene"
    Released: April 22, 2003
  2. "This Is the New Shit"
    Released: September 1, 2003
Professional ratings
Aggregate scores
Source Rating
Metacritic 60/100
Review scores
Source Rating
AllMusic 4/5 stars
Alternative Press 4/5 stars
Drowned in Sound 7/10
E! Online B
Entertainment Weekly B−
The Guardian 3/5 stars
Mojo 3/5 stars
PopMatters 3/10
Q 3/5 stars
Rolling Stone 3/5 stars

The Golden Age of Grotesque is the fifth studio album by American rock band Marilyn Manson. It was released on May 7, 2003 by Nothing and Interscope Records, and was their first album to feature former KMFDM member Tim Sköld, who joined after longtime bassist Twiggy Ramirez amicably left the group over creative differences. It was also their final studio album to feature keyboardist Madonna Wayne Gacy and guitarist John 5, who would both acrimoniously quit before the release of the band's next studio album.

The record was produced by Marilyn Manson and Sköld, with co-production from Ben Grosse. Musically, it is less metallic as the band's earlier work, instead being more electronic and beat-driven. This was done to avoid creating music similar to nu metal, a then-predominant genre of hard rock which the vocalist considered cliché. Manson collaborated with artist Gottfried Helnwein to create several projects associated with the album, including Doppelherz, a 25-minute surrealist short film which was released on limited edition units of the record as a bonus DVD. The Golden Age of Grotesque was also the title of the Manson's first art exhibition.

The album's lyrical content is relatively straightforward, and was inspired by the swing, burlesque, cabaret and vaudeville movements of Germany's Weimar Republic-era, specifically 1920s Berlin. In an extended metaphor, Manson compares his own work to the Entartete Kunst banned by the Nazi regime as he attempts to examine the mindset of lunatics and children during times of crisis. Several songs incorporate elements commonly found in playground chants and nursery rhymes. "Mobscene" (stylized as "mOBSCENE") and "This Is the New Shit" were released as singles, and a controversial music video was released for "Saint" (stylized as "(s)AINT").


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