Vivian Fine
| Vivian Fine | |
|---|---|
| Born |
September 28, 1913 Chicago, Illinois |
| Died | March 20, 2000 (aged 86) Bennington, Vermont, U.S. |
| Genres | 20th century classical |
| Occupation(s) | Composer |
Vivian Fine (28 September 1913 - 20 March 2000) was an American composer.
Over her 70-year career, Vivian Fine became one of America’s most important composers. She wrote virtually without a break for 68 years, producing over 140 works. Although perhaps best known for her chamber music, she wrote in every genre, including large-scale symphonic and choral works. In addition to numerous articles and several dissertations, two books have been published on Fine’s life and music: The Music of Vivian Fine, by the noted musicologist Heidi Von Gunden (Scarecrow Press, 1999), which won the ASCAP-Deems Taylor award in 2000, and Vivian Fine, A Bio-Bibliography, by the poet and composer Judith Cody (Greenwood Press, 2002). Her complete musical archives may be found on her website at vivianfine.org.
Vivian Fine was born in Chicago. A piano prodigy, she became at age five the youngest student ever to be awarded a scholarship at the Chicago Musical College. At age eleven she became a student of Scriabin disciple Djane Lavoie-Herz. Fine composed her first piece at thirteen while studying harmony with Ruth Crawford, who considered Fine her protegée. Through Madame Herz and Crawford, Fine met Henry Cowell, Imre Weisshaus, and Dane Rudhyar, who became strong supporters of her talent.
Fine made her professional debut as a composer at age sixteen with performances in Chicago, New York (Solo for Oboe, at a Pan-American Association of Composers’ concert) and Dessau (Four Pieces for Two Flutes, at an International Society of Contemporary composers’ concert). In 1931, the 18-year-old Fine moved to New York to further her studies. She was a member of Aaron Copland’s Young Composers Group, and a participant at the first Yaddo Festival in 1932. In 1937 she helped found the American Composers Alliance and served as its vice-president from 1961 to 1965. In addition to her career as a composer, Fine continued to perform. In the 1930s she was perhaps the best-known performer of contemporary piano music in New York. She premiered works of Charles Ives, Copland, Brant, Cowell, Rudhyar, and others, and studied piano with Abby Whiteside from 1937 to 1946.
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