Virtue (Emmy the Great album)
| Virtue | ||||
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| Studio album by Emmy the Great | ||||
| Released | 13 June 2011 | |||
| Recorded | 2010–2011 | |||
| Genre | Alternative rock, anti-folk | |||
| Label | Close Harbour Records | |||
| Producer | Gareth Jones | |||
| Emmy the Great chronology | ||||
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| Professional ratings | |
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| Source | Rating |
| Drowned in Sound |
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| All Music |
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| Hi-Fi News | (9.4/10) |
| Financial Times | |
| The Fly | |
| Manchester Evening News | |
| MOJO | |
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| NME |
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| The Daily Telegraph | |
| The Times | |
| Uncut | |
| Pitchfork Media | 6.3/10 |
Virtue is the second album by London singer-songwriter Emma-Lee Moss – better known by her stage name Emmy the Great — and was released on 13 June 2011. It has been described as "meticulous and atmospheric" and has been praised for its poetic writing style.
The album mixes themes from myths, fairy tales and saints' lives. Moss initially wanted the album to tell a story entirely from the point of view of various "characters", both fictional and historical, however, while writing the album, Moss’ fiancé converted to Christianity and their relationship came to an end. As a result of this, Virtue would become, much like First Love, a very personal album. Moss explains that she "had this really weird period where I was supposed to be getting married... I was actually reading lots about theology because I didn’t understand what had happened." The album was recorded shortly after the summer in which her wedding was cancelled, with Gareth Jones (notable for working with Depeche Mode, Einstürzende Neubauten, Wire and Erasure) given the job to produce the album.
The release of her début album First Love was delayed due to a lack of confidence and Moss' disillusion and frustration with record labels and managers who wished to alter her song writing. As a result, to fund and release her second album, Emmy the Great partnered with Pledgemusic, an online Direct-to-Fan / Fan-funded music platform utilising a Threshold Pledge System / Provision Point Mechanism that facilitates musicians reaching out to their fan-base to financially contribute to upcoming recordings or other musical projects. Moss commented that, "instead of relying entirely on a label to make and tour our record, we can skip the middleman and go directly to you, the fans for support. It makes sense for us, because we’ve always tried to work outside of the traditional record label model.
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