Villa Müller
| Villa Müller | |
|---|---|
| Müllerova vila(Czech) Haus Müller (German) |
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| General information | |
| Architectural style | Modernism |
| Location | Prague-Střešovice, Czech Republic |
| Coordinates | 50°05′33″N 14°22′42″E / 50.09250°N 14.37833°ECoordinates: 50°05′33″N 14°22′42″E / 50.09250°N 14.37833°E |
| Completed | 1930 |
| Client | František and Milada Müller |
| Design and construction | |
| Architect | Adolf Loos |
The Villa Müller (Czech: Müllerova vila, German: Haus Müller) is a building designed by Adolf Loos in 1930. The villa is located in Prague, Czech Republic. The house was designed originally for Mr. František Müller and his wife, Milada Müllerová.
The building was commissioned by František Müller and his wife, Milada Müllerová. Mr. Müller was an engineer and co-owned a construction company called Kapsa and Müller. The company specialized in reinforced concrete, developing new construction techniques. Loos' method of design was also in transition, making the timing of the project appropriate. Soon, the architect Karel Lhota set František Müller up with Loos to design the villa. Lhota also contributed to the design due to Loos' poor health. After the building was completed, Loos celebrated his 60th birthday there with a few friends.
The couple freely inhabited the house for eighteen years before Communists seized control of it in 1948. In 1968, after the death of Milada Müllerová the most important parts of the Villa fittings and collections were purchased by the Museum of Applied Arts and the National Gallery. The Villa was then pronounced a Cultural Monument of the Czechoslovak Republic. It was user as a storage, library, and later as a location for the institute of Marxism–Leninism. After the fall of Communism in 1989, the house was turned over to the Müllers' daughter, Eva Maternová. She sold it to the City of Prague in 1995, who put it in the care of the City of Prague Museum. The house was restored in 1998 and finally re-opened as a museum in 2000.
Known as an innovative landmark of early modernist architecture, the Villa Müller embodies Loos' ideas of economy and functionality. The spatial design, known as Raumplan, is evident in the multi-level parts of individual rooms, indicating their function and symbolic importance. Raumplan is exhibited in the interior as well as the exterior.
The exterior displayed Loos' theory discussed in his 1908 essay, "Ornament and Crime". In the essay, Loos criticized decorated surfaces. For the exterior of the Villa Müller, Loos designed a white, cubic facade. He also wanted to distinguish between the outside, where the view could be seen by the public eye, and the inside, the private spaces of those who lived there. Consequently, the interior is lavishly decorated with comfortable furniture and marble, wood, and silk surfaces.
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