Victory Mixture | ||||
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Studio album by Willy DeVille | ||||
Released | January 1, 1990 (France) December 28, 1990 (U.S.) |
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Recorded | Sea Saint Recording Studio, New Orleans |
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Genre | R&B, Blues, Soul | |||
Length | 32:12 | |||
Label | Sky Ranch (France) Orleans Records (U.S.) |
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Producer | Carlo Ditta | |||
Willy DeVille chronology | ||||
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Source | Rating |
Allmusic |
Victory Mixture is a 1990 album by Willy DeVille. The album consists of cover versions of New Orleans R&B and soul classics by DeVille’s musical idols. Trouser Press said about the album, “A rootsy covers collection, Victory Mixture provides a welcome antidote to Miracle's misguided modernity, making the most of the singer's relocation to New Orleans with backup from such local legends as Allen Toussaint, Eddie Bo and Dr. John.”
Victory Mixture is unusual in that it was recorded without the use of overdubbing or sound editing, the idea being to record the songs in the same manner as they were recorded originally in the 1950s and early 1960s — without soundboard technology.
The album was released in Europe on the French Sky Ranch label; it was released a year later in the United States on the Orleans Records label, that label's second offering. The success of Victory Mixture in Europe ensured the label's continuing operation.
In 1988, Willy DeVille relocated from New York to New Orleans. He told Leap in the Dark: "I was tired of being 'Willy DeVille,' walking out of my building and having to be the guy who was up on stage all the time, even when I wasn't performing. I wanted to get away from that. So I got down there (to New Orleans) and it was as if this famous guy had come to town, and I didn't want that. So I decided to do an album with a bunch of the musicians from down there, the music of New Orleans."
DeVille told Sheila Rene about the beginnings of Victory Mixture:
Producer Carlo Ditta described the birth of the album this way:
In the summer of 1992, DeVille toured Europe with Dr John, Johnny Adams, Zachary Richard, and The Wild Magnolias as part of his "New Orleans Revue" tour. He told Leap in the Dark, "The travel, buses, and planes and the accommodations had to be some of the worst I've ever experienced, but the shows themselves were great. At the end of each show we'd throw Mardi Gras rows out to the audience, you know strands of purple and gold beads, and they'd never seen anything like it and they loved it.”