Uzbek photography

Photography in Uzbekistan started developing after 1882, when a Volga German photographer and schoolteacher named Wilhelm Penner moved to Khiva as a part of the Russian Mennonite migration to Central Asia led by Claas Epp, Jr.. After his arrival in the Khanate of Khiva, Penner shared his photography skills with a local student Khudaybergen Divanov, who later became the founder of Uzbek photography.

The first still photographs of Central Asia were shot by Russian photographer Anton Murenko, who came there with the Russian diplomatic mission in 1858.

The first color photographs of Central Asia belong to Sergey Prokudin-Gorsky, one of the founders of color photography.

Khudaybergen Divanov's photographs were unique in terms of demonstrating historically significant transition of Central Asian nations to the Soviet Union. Despite of his pioneering in this newly introduced type of visual arts with his ethnographic and documentary photographs in the region, Khudaybergen Divanov was repressed by the Soviet regime and executed in 1940. Upon his arrest, big part of Divanov's archive was destroyed by the law enforcement agencies; however, his family succeeded in preserving a part of the archive. Some of Divanov's works are currently preserved in the Russian State Documentary Film and Photo Archive at Krasnogorsk.

In the Soviet period, many Uzbek photographers focused on documentary photography. One of the most prominent representatives of the Uzbek photography is Max Penson. Photojournalist Max Penson moved to Uzbekistan in 1915 and demonstrated historical, social, religious and political transformations that took place there under the Soviet influence by his photographs of unveiling and education of woman and children, construction of large-scale projects as Great Fergana Canal and many others. His photograph titled "Uzbek Madonna" received the Grand Prize at the 1937 Universal Exhibition in Paris.

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Wikipedia