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Urban Gothic


Urban Gothic is a subgenre of Gothic fiction, film horror and television dealing with industrial and post-industrial urban society. It was pioneered in the mid-19th century in Britain and the United States and developed in British novels such as Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde's The Picture of Dorian Gray (1890), and Bram Stoker's Dracula (1897). In the twentieth century, urban Gothic influenced the creation of the subgenres of Southern Gothic and suburban Gothic. From the 1980s, interest in the urban Gothic revived with books like Anne Rice's Vampire Chronicles and a number of graphic novels that drew on dark city landscapes, leading to adaptations in film including Batman (1989), The Crow (1994) and From Hell (2001), as well as influencing films like Seven (1995).

In English literature, the architectural Gothic revival and classical Romanticism gave rise to the Gothic novel in the second half of the eighteenth century, often dealing with dark themes in human nature against medieval backdrops and with elements of the supernatural. Beginning with The Castle of Otranto (1764) by Horace Walpole, 4th Earl of Orford, it was perfected as a literary form by Ann Radcliffe in novels such as The Castles of Athlin and Dunbayne (1789), A Sicilian Romance (1790) and The Mysteries of Udolpho (1794). It also included Mary Shelley's Frankenstein (1818) and John Polidori's The Vampyre (1819), which helped found the modern horror genre. This helped create the dark romanticism or American Gothic Fiction of authors like Edgar Allan Poe in works including "The Fall of the House of Usher" (1839) and "The Pit and the Pendulum" (1842) and Nathaniel Hawthorne in "The Minister's Black Veil" (1836) and "The Birth-Mark" (1843). This in turn influenced American novelists like Herman Melville in works such as Moby Dick (1851). Early Victorian Gothic novels that employed contemporary rural settings included Emily Brontë's Wuthering Heights (1847) and Charlotte Brontë's Jane Eyre (1847).


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