Mir iskusstva (Russian: «Мир иску́сства», World of Art) was a Russian magazine and the artistic movement it inspired and embodied, which was a major influence on the Russians who helped revolutionize European art during the first decade of the 20th century. In fact, few Europeans outside Russia actually saw issues of the magazine itself.
From 1909, several of the miriskusniki (i.e., members of the movement) also participated in productions of Sergei Diaghilev's Ballets Russes company based in Paris.
The artistic group was founded in November 1898 by a group of students that included Alexandre Benois, Konstantin Somov, Dmitry Filosofov, Léon Bakst, and Eugene Lansere. The starting moments for the new artistic group was organization of the Exhibition of Russian and Finnish Artists in the Stieglitz Museum of Applied Arts in Saint-Petersburg.
The magazine was co-founded in 1899 in St. Petersburg by Alexandre Benois, Léon Bakst, and Sergei Diaghilev (the Chief Editor). They aimed at assailing low artistic standards of the obsolescent Peredvizhniki school and promoting artistic individualism and other principles of Art Nouveau. The theoretical declarations of the art movements were stated in the Diaghilev's articles "Difficult Questions", "Our Imaginary Degradation", "Permanent Struggle", "In Search of Beauty", and "The Fundamentals of Artistic Appreciation" published in the N1/2 and N3/4 of the new journal.
In its "classical period" (1898-1904) the art group organized six exhibitions: 1899 (International), 1900, 1901 (At the Imperial Academy of Arts, Saint Petersburg), 1902 (Moscow and Saint Petersburg), 1903, 1906 (Saint Petersburg). The sixth exhibition was seen as a Diaghilev's attempt to prevent the separation from the Moscow members of the group who organized a separate "Exhibition of 36 artists" (1901) and later "The Union of Russian Artists" group (from 1903).