Undercover | ||||
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Studio album by The Rolling Stones | ||||
Released | 7 November 1983 | |||
Recorded | November 1982 - August 1983 | |||
Genre | Hard rock, new wave | |||
Length | 44:46 | |||
Language | English | |||
Label | Rolling Stones | |||
Producer | The Glimmer Twins, Chris Kimsey | |||
The Rolling Stones chronology | ||||
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Singles from Undercover | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Blender | |
Robert Christgau | C+ |
MusicHound | 2/5 |
The Rolling Stone Album Guide |
Undercover is the 17th British and 19th American studio album by The Rolling Stones, released in 1983. After their preceding studio album, Tattoo You (1981), which was mostly patched together from a selection of outtakes, Undercover was their first release of all new recordings in the 1980s. With the advent of the MTV generation, the band attempted to re-invent themselves for a new era.
Due to the recent advancements in recording technology, The Glimmer Twins (a.k.a. Mick Jagger and Keith Richards) were officially joined in the producer's seat with Chris Kimsey, the first outside producer the Stones had used since Jimmy Miller. They began recording at the Pathe Marconi Studios in Paris, France in November 1982. After breaking for the holidays, they completed the album in New York City the following summer.
The making of Undercover was an arduous process, largely because Jagger and Richards' famous mid-1980s row began during these sessions. Jagger was keenly aware of new styles and wanted to keep the Rolling Stones current and experimental, while Richards was seemingly more focused on the band's rock and blues roots. As a result, there was friction, and the tension between the two key members would increase over the upcoming years.
The lyrics on Undercover are among Jagger's most macabre, with much grisly imagery to be found in the lead single and top 10 hit "Undercover of the Night", a rare political track about Central America, as well as "Tie You Up (The Pain of Love)" and "Too Much Blood", Jagger's attempt to incorporate contemporary trends in dance music. Musically, Undercover appears to duel between hard rock, reggae and new wave, reflecting the leadership tug of war between Jagger and Richards at the time. "Pretty Beat Up" is largely a Ronnie Wood composition, and Jagger and Richards were both reportedly reluctant to include it on the album. The album cover for Undercover had art direction and design by Peter Corriston with concept origination, photography and illustration by Hubert Kretzschmar.