U-matic

3/4" U-matic

Sony U-matic VTR BVU-800
Media type	Magnetic Tape
Encoding	NTSC, PAL
Developed by	Sony
Usage	Video production

U-matic is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. Unlike most other cassette-based tape formats, the supply and take-up reels in the cassette turn in opposite directions during playback, fast-forward, and rewind: one reel would run clockwise while the other would run counter-clockwise. A locking mechanism integral to each cassette case secures the tape hubs during transportation to keep the tape wound tightly on the hubs. Once the cassette is taken off the case, the hubs are free to spin. A spring-loaded tape cover door protects the tape from damage; when the cassette is inserted into the VCR, the door is released and is opened, enabling the VCR mechanism to spool the tape around the spinning video drum. Accidental recording is prevented by the absence of a red plastic button fitted to a hole on the bottom surface of the tape; removal of the button disabled recording.

As part of its development, in March 1970, Sony, Matsushita Electric Industrial Co. (Panasonic), Victor Co. of Japan (JVC), and five non-Japanese companies reached agreement on unified standards.

The videotape was ³⁄₄ in (1.9 cm) wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", comparing to other open reel videotape formats of the same vintage, such as 1 in (2.5 cm) type C videotape and 2 in (5.1 cm) quadruplex videotape.

The first generation of U-matic VCRs were large devices, approximately 30 in (76 cm) wide, 24 in (61 cm) deep, and 12 in (30 cm) high, requiring special shelving, and had mechanical controls limited to Record, Play, Rewind, Fast-Forward, Stop and Pause (with muted video on early models). Later models sported improvements such as chassis sized for EIA 19-inch rack mounting, with sliding rack rails for compressed storage in broadcast environments, solenoid control mechanics, jog-shuttle knob, remote controls, Vertical Interval Time Code (VITC), longitudinal time code, internal cuts-only editing controls, "Slo-Mo" slow-motion playback, and Dolby audio noise reduction.