Audio noise reduction

Noise reduction is the process of removing noise from a signal.

All recording devices, both analog and digital, have traits that make them susceptible to noise. Noise can be random or white noise with no coherence, or coherent noise introduced by the device's mechanism or processing algorithms.

In electronic recording devices, a major form of noise is hiss caused by random electrons that, heavily influenced by heat, stray from their designated path. These stray electrons influence the voltage of the output signal and thus create detectable noise.

In the case of photographic film and magnetic tape, noise (both visible and audible) is introduced due to the grain structure of the medium. In photographic film, the size of the grains in the film determines the film's sensitivity, more sensitive film having larger sized grains. In magnetic tape, the larger the grains of the magnetic particles (usually ferric oxide or magnetite), the more prone the medium is to noise.

To compensate for this, larger areas of film or magnetic tape may be used to lower the noise to an acceptable level.

Many noise reduction algorithms tend to damage more or less signals. The local signal-and-noise orthogonalization algorithm can be used to avoid the damages to signals.

Boosting signals in seismic data is especially crucial for seismic imaging, inversion, and interpretation, thereby greatly improving the success rate in oil & gas exploration. The useful signal that is smeared in the ambient random noise is often neglected and thus may cause fake discontinuity of seismic events and artifacts in the final migrated image. Enhancing the useful signal while preserving edge properties of the seismic profiles by attenuating random noise can help reduce interpretation difficulties and misleading risks for oil and gas detection.

When using analog tape recording technology, they may exhibit a type of noise known as tape hiss. This is related to the particle size and texture used in the magnetic emulsion that is sprayed on the recording media, and also to the relative tape velocity across the tape heads.

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