Tupelo Chain Sex

Tupelo Chain Sex
Spot the Difference (1984 LP)
Background information
Genres	Punk, Jazz, Rockabilly, Psychedelic, Psychobilly
Years active	1982–1989
Labels	Cargo, Selma
Past members	Tupelo Joe (Joey Altruda) -- Bass Guitar (1981 - 1983); Guitar (1984 - 1989), Limey Dave (Dave Dahlson) -- Vocals; Don "Sugarcane" Harris -- Violin; Duff Marlowe -- Saxophone (1981 - 1983); Stumuk (Bill Nugent) -- Saxophone (1984 - 1989); J.J. Poskin (aka JJ Holiday) -- Guitar (1981 - 1983); Kevin Eleven (Kevin McCormick) -- Bass Guitar (1984-1987); Jason Keene -- Bass Guitar (1988 - 1989); Willie "Dred" McNeill -- Drums, Percussion (1981 - 1987); Paul Lines -- Drums (1987-1989); Lame Flames -- Backup Vocals (1984)

Tupelo Chain Sex was a 1980s era punk/jazz/rockabilly musical group founded by Dave Dahlson aka "Limey Dave", J.J. Poskin (aka JJ Holiday), Sim Cass, and Joey Altruda who also founded the group Jump With Joey. In the early 1980s, the group was a headline performer at Club Lingerie in Los Angeles, and also performed at the Sunday Club at Cathay de Grande (restaurant), The Music Machine, Al's Bar, The Anti-Club, and the O.N. Klub, among others, and toured extensively with groups like The Circle Jerks.

One of the Los Angeles based group's most notable members was electric violinist Don "Sugarcane" Harris, who previously played with Frank Zappa and The Mothers of Invention.

In 1982, Willy "Wooly" McNeil joined what was then called "a raucous psychobilly outfit." Lead singer "Limey" Dave (Dave Dahlson), the front man for the group, sported a blue Mohawk, tattoos of Roman soldiers, women's sunglasses, jeans with the ass cheeks cut out, and was purportedly a narcoleptic.

Graphic artist Art Chantry called Tupelo Chain Sex one of the "... best fucking bands I've seen in my life" and compared them to contemporary groups such as Sonic Youth, Hüsker Dü, Butthole Surfers and the Cramps among others.

Critics have had difficulty classifying the music of Tupelo Chain Sex as exemplified by The Miami News noting that "Their music has been called jazz, bop, be-bop, R&B, swing, reggae, country, rock, blues, punk, funk, Latin, mambo, thrash, calypso, salsa, soul, shuffle, skiffle, ska, skank, surf, boogie, jive, dub ... and psycho-billy."

When the group first entered the Los Angeles music scene, the Los Angeles Times called the group "bizarre" and went on to describe them as "an avant-garde rockabilly combo featuring washboard, harmonica and a singer named Limey Dave who sports a Mohawk, shouts dislocated epics like Elvis Presley Meets E.T., and alters his vocals through an echo device.". In a subsequent review of a live performance, The Times declared that one of the group's major musical influences appeared to be derived from dada.