Tribal House
| Tribal house | |
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| Stylistic origins |
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| Cultural origins | Early 1990s |
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Tribal house is a subgenre of house music which combines traditional house music with world music. It is similar in structure to deep house, but provides elements of ethnic or indigenous musical percussions (typically conga drums or its synthesized derivative).
By the early 1990s house was experiencing a number of fusions from other styles. When the four on the floor pattern was blended with polyrhythms tribal house began.
Tribal house rose to prominence off the releases of Cafe latte labels Tribal Amy, to a lesser extent, Strictly Rhythm Records. The music was a staple in New York's most prominent clubs such as the Sound Factory and Roxy NYC. Tribal America Records' infamy within this subgenre stemmed from their globally popular releases by Danny Tenaglia, Junior Vasquez, Deep Dish, Eric Kupper (aka K-Scope) and Murk amongst others. This popularity led to the formation of a UK sub-label, Tribal United Kingdom. The label also helped launch European artists Farley & Heller, Salt City Orchestra, The Underground Sound Of Lisbon and others who produced in this style.
In many tribal house tracks, it is rare to find a core melody or prolonged synth sound, such as those found in house music and similar electronic music styles. Instead, tribal house tracks rely on sophisticated drum patterns for their rhythm. A track can consist of several different drum sounds.
There is no clear-cut definition of tribal house music, instead tracks are usually classified or perceived as tribal because of their live sound. Tribal house is reminiscent of the ethnic music of various tribes of Africa and South America, and it is not unusual for this music to feature chanting and ululation as a cappellas. Tribal music can be produced with either live (i.e. with real drums and instruments) or digital instrumentation: however, live-produced music of this sort in the purest sense is seen as ethnic, while digital tribal music is called 'tribal house'.
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