Transformer | ||||
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Studio album by Lou Reed | ||||
Released | November 8, 1972 | |||
Recorded | August 1972 | |||
Studio | Trident Studios, London | |||
Genre | Glam rock | |||
Length | 36:40 | |||
Label | RCA Records | |||
Producer | ||||
Lou Reed chronology | ||||
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Singles from Transformer | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Blender | |
Chicago Tribune | |
Christgau's Record Guide | B− |
Encyclopedia of Popular Music | |
Pitchfork | 8.4/10 |
Rolling Stone | |
The Rolling Stone Album Guide | |
Spin | |
Spin Alternative Record Guide | 8/10 |
Transformer is the second solo studio album by American recording artist Lou Reed. Produced by David Bowie and Mick Ronson, the album was released in November 1972 by RCA Records.
As with its predecessor Lou Reed, Transformer contains songs Reed composed while in the Velvet Underground (here, four out of ten). "Andy's Chest" was first recorded by the band in 1969 and "Satellite of Love" demoed in 1970; these versions were released on VU and Peel Slowly and See, respectively. For Transformer, the original up-tempo pace of these songs was slowed down.
"New York Telephone Conversation" and "Goodnight Ladies" are known to have been played live during the band's summer 1970 residency at Max's Kansas City; the latter takes its title refrain from the last line of the second section ("A Game of Chess") of T. S. Eliot's modernist poem, The Waste Land: "Good night, ladies, good night, sweet ladies, good night, good night."
As in Reed's Velvet Underground days, the Andy Warhol connection remained strong. According to Reed, Warhol told him he should write a song about someone vicious. When Reed asked what he meant by vicious, Warhol replied, "Oh, you know, like I hit you with a flower", resulting in the song "Vicious".
Transformer was produced by David Bowie and Mick Ronson, both of whom had been strongly influenced by Reed's work with the Velvet Underground. Bowie had obliquely referenced the Velvet Underground in the cover notes for his album Hunky Dory and regularly performed both "White Light/White Heat" and "I'm Waiting for the Man" in concerts and on the BBC during 1971–1973. He even began recording "White Light/White Heat" for inclusion on Pin Ups, but it was never completed; Ronson ended up using the backing track for his solo album Play Don't Worry in 1974.