Traditional lighting equipment of Japan

The traditional lighting equipment of Japan includes the andon (行灯), the bonbori (雪洞), the chōchin (提灯), and the tōrō (灯篭).

The andon () is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. The paper protected the flame from the wind. Burning oil in a stone or ceramic holder, with a wick of cotton, provided the light. Rapeseed oil was popular. Candles were also used, but their higher price made them less popular. A lower-priced alternative was sardine oil.

The andon became popular in the Edo period. Early on, the andon was handheld; it could also be placed on a stand or hung on a wall. The okiandon was most common indoors. Many had a vertical box shape, with an inner stand for the light. Some had a drawer on the bottom to facilitate refilling and lighting. A handle on top made it portable. A variety was the Enshū andon. One explanation attributes it to Kobori Enshu, who lived in the late Azuchi-Momoyama Period and early Edo period. Tubular in shape, it had an opening instead of a drawer. Another variety was the Ariake andon, a bedside lamp. The kakeandon under the eaves of a shop, often bearing the name of the merchant, was a common sight in the towns.

The expression hiru andon, or "daytime lamp," meant someone or something that seemed to serve no purpose. In dramatizations of the story of the forty-seven ronin, Oishi Yoshio is often given this description.

The bonbori (ぼんぼり・雪洞^?) is a kind of Japanese paper lamp used in the open. It normally has an hexagonal profile and is used during festivals. It can either hang from a wire or stand on a pole. Famous is the Bonbori Festival (ぼんぼり祭り, Bonbori Matsuri^?), held annually at Tsurugaoka Hachiman-gū in Kamakura, Kanagawa. Artists paint on the about 400 bonbori erected for the occasion on the shrine's grounds.

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