Tom Wright (Australian playwright)

Tom Wright (born Melbourne 1 January 1968) is an Australian theatre writer, mostly known for his adaptations and translations.

Tom Wright was born and grew up in Melbourne. He was dux at Wesley and read Fine Art and English at Melbourne University.

In 2003 he was appointed Artistic Associate at Sydney Theatre Company; in 2007 he became Associate Director. He left the company in 2012.

In 2016 he joined Belvoir as an Artistic Associate.

Wright began as an actor, joining Jean-Pierre Mignon's Australian Nouveau Theatre (Anthill) in late 1991. In 1992 he resumed working with Barrie Kosky (who had directed him in student productions at Melbourne University) as a member of Gilgul, a Melbourne company exploring Jewish cultural identity. He acted in their productions of The Dybbuk (1992), Es Brent (1993), The Wilderness Room (1995) and The Operated Jew (1996).

He began writing for the theatre in the late 1990s, although he continued performing into the early 2000s. This Is A True Story, a monologue dealing with a death row case, which he wrote and performed, had multiple seasons and later toured to Sydney and London.

Lorelei: A Meditation On Loss, based on another death row case, and performed by Anna Galvin, played in Melbourne, Sydney, Edinburgh, London and Vancouver in 2003, and has since gone on to be performed in other nations such as Belgium and Pakistan. The BBC Radio 4 radio version of Lorelei won the Gold Prize for Drama at the Radio Academy Awards in 2007.

In 2006 he again resumed working with Kosky, writing The Lost Echo, an eight-hour adaptation of Ovid's Metamorphoses. At the 2007 Helpmanns this production won five awards, including Best Play and Best New Australian work.

Wright's adaptation of The Women of Troy was awarded Best Mainstage Production at the 2008 Sydney Theatre Awards.

In 2009 his co-adaptation of Shakespeare's history plays, performed under the title The War of the Roses, was directed by Benedict Andrews for Sydney Theatre Company. This production collected four Helpmanns including Best Play, and was listed as the theatre masterpiece of the decade by The Monthly in October 2011.

...
Wikipedia