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Today! (The Beach Boys album)

The Beach Boys Today!
BeachBoysTodayCover.jpg
Studio album by The Beach Boys
Released March 8, 1965 (1965-03-08)
Recorded
  • June 22, 1964 (1964-06-22)–January 19, 1965 (1965-01-19)
Studio United Western Recorders, Gold Star Studios, and RCA Victor Studios, Hollywood
Genre
Length 28:54
Label Capitol
Producer Brian Wilson
The Beach Boys chronology
The Beach Boys' Christmas Album
(1964)The Beach Boys' Christmas Album1964
Today!
(1965)
Summer Days (And Summer Nights!!)
(1965)Summer Days (And Summer Nights!!)1965
The Beach Boys UK chronology
Beach Boys' Party!
(1966) Beach Boys' Party!1966
Today!
(1966) Today!1966
Pet Sounds
(1966) Pet Sounds1966
Singles from Today!
  1. "When I Grow Up (To Be a Man)" / "She Knows Me Too Well"
    Released: August 24, 1964
  2. "Dance, Dance, Dance"
    Released: October 26, 1964
  3. "Do You Wanna Dance?" / "Please Let Me Wonder"
    Released: February 15, 1965
Professional ratings
Retrospective reviews
Review scores
Source Rating
AllMusic 5/5 stars
Blender 4/5 stars
Encyclopedia of Popular Music 4/5 stars
The Guardian (favorable)
MusicHound 4/5
The Rolling Stone Album Guide 4/5 stars

The Beach Boys Today!, also known simply as Today!, is the eighth studio album by the American rock group the Beach Boys. It peaked at number four on US record charts and was preceded by the top 10 singles "When I Grow Up (To Be a Man)" and "Dance, Dance, Dance", along with "Do You Wanna Dance?" which reached number 12.

Shortly before recording began, the group completed their album All Summer Long (1964), intended to be their final statement on beach-themed music. In December 1964, Brian Wilson had a nervous breakdown while on a flight, and resigned from touring with the group to focus solely on writing and producing. He began using marijuana and LSD, which he says had profound effects on the way he perceived and composed music.

Produced, arranged, and largely written by Wilson with additional lyrics by Mike Love, Today! signaled a departure from previous albums through Wilson's increasingly sophisticated, orchestral approach and the abandonment of themes related to surfing, cars, or teenage love. The tracks on side one feature an uptempo sound that contrasts side two, which consists mostly of ballads. With instrumentation that includes accordions, harpsichords, French horn, tack pianos, mandolins, and sleigh bells, the album showcases adventurous and distinct arrangements, multi-layered Wall of Sound productions, and personal, autobiographical subject matter that would foreshadow future albums such as Pet Sounds (1966).


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