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Time Won't Let Me

"Time Won't Let Me"
Time Won't Let Me.JPEG.jpg
Single by The Outsiders
B-side "Was It Really Real"
Released January 1966
Format 45 rpm 7" single
Recorded 1965
Genre Garage rock
Length 3:00
Label Capitol
Writer(s) Tom King and Chet Kelly
Producer(s) Tom King

"Time Won't Let Me" is a garage rock song that was recorded by The Outsiders, from Cleveland, Ohio, in 1965, and which became a major hit in the United States in 1966, reaching #5 on the Billboard Hot 100 on the week of April 16 of that year. It is ranked as the 42nd biggest American hit of 1966.

The song was composed by the band's guitarist Tom King along with Chet Kelly. Its basic arrangement was augmented by a horn section, yet was applied in an unobtrusive manner as not to not detract from the band's fundamental sound, which on this occasion featured a signature riff from a twelve string electric guitar.

Lead vocals were provided by Sonny Geraci, who also sang lead on the 1972 hit, "Precious and Few" by his later band, Climax.

Leading up to the success of "Time Won't Let Me," the Outsiders had an advantage over the numerous American bands that formed in the wake of the British Invasion in that they had been active in the Cleveland scene for years, starting in 1958 as a rhythm & blues combo called the Starfires. They were founded that year by guitarist and saxophonist Tom King who at the time was only fifteen. By early 1965 the band's membership consisted of King on rhythm guitar, Bill Bruno on lead guitar, Mert Madsen on bass, and Jim Fox, later of James Gang, on drums. Later that year, Fox departed for college and was replaced by Ronnie Harkai, who would play on "Time Won't Let Me." Also in 1965 they brought in Sonny Gerachi, later in Climax, to handle the lead vocals. The group was under contract with Parma Records, which was owned by King's uncle, Patrick Connelly, and in late 1965 that they recorded "Time Won't Let Me" for the label. As they recorded it, the song is a simple, catchy and danceable tune. Its basic arrangement was augmented by a horn section, yet was applied in an unobtrusive manner as not to not detract from the band's fundamental sound, which on this occasion featured a signature riff from a twelve string electric guitar. Sufficiently impressed upon hearing it, Capitol Records signed the band on the strength of the song, and shortly thereafter King changed the band's name from the Starfires to the Outsiders, possibly at the urging of the new label. One account of the change was that King and Kelley had become "outsiders" within the family as a result of the label switch.


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