Thomas S. Hamblin
| Thomas S. Hamblin | |
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Print of Thomas S. Hamblin, mid 19th century
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| Born | 14 May 1800 |
| Died | 8 January 1853 (aged 52) |
| Nationality | English |
| Occupation | Actor |
| Spouse(s) | Elizabeth Mary Ann Trewar Shaw |
Thomas Sowerby Hamblin (14 May 1800 – 8 January 1853) was an English actor and theatre manager. He first took the stage in England, then immigrated to the United States in 1825. He received critical acclaim there, and eventually entered theatre management. During his tenure at New York City's Bowery Theatre he helped establish working-class theatre as a distinct form. His policies preferred American actors and playwrights to British ones, making him an important influence in the development of early American drama.
Although he was known as a fair (if shrewd) businessman, Hamblin's reputation was marred by his well known womanising and brawling. He had affairs with several up-and-coming actresses at his theatre, and he assaulted at least two newspaper editors who had published unflattering stories about him. His behaviour eventually cost him his first wife and resulted in one conviction for assault.
Hamblin was born in London. He intended to go into business but changed course after a successful performance as Hamlet in a school production. By 1815, he had made his professional debut as a ballet dancer at London's Adelphi Theatre. He toured the British Isles over the next eight years, performing at venues such as the Drury Lane Theatre and Sadler's Wells Theatre. He married Elizabeth Blanchard, a popular actress and daughter of actor William Blanchard and half-sister of actor/playwright E. L. Blanchard. Hamblin had two children by his first wife: William Henry Hamblin Jr. (stage name "Thomas Hamblin Jr") and Elizabeth Hamblin.
Despite some success he had still not established himself with the London critics when, in 1825, Hamblin and his wife left England for the United States. Hamblin took the stage at New York's Park Theatre in early November, where he tackled a number of roles: Hamlet, Macbeth, Othello, Petruchio, Pierre, Rolla, the Stranger, William Tell, and Virginius. Later that month, he appeared opposite Edwin Forrest at the Albion Theatre.
Critics praised Hamblin; the Albion calling him "a very excellent actor". Theatre historian T. Allston Brown attributed his success to these factors:
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