The ant and the grasshopper

The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant (or Ants), is one of Aesop's Fables, numbered 373 in the Perry Index. The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future.

Even in Classical times, however, the advice was mistrusted and an alternative story represented the ant's industry as mean and self-serving. Jean de la Fontaine's delicately ironical retelling in French later widened the debate to cover the themes of compassion and charity. Since the 18th century the grasshopper has been seen as the type of the artist and the question of the place of culture in society has also been included. Argument over the fable's ambivalent meaning has generally been conducted through adaptation or reinterpretation of the fable in literature, arts and music.

The fable concerns a grasshopper (in the original, a cicada) that has spent the summer singing while the ant (or ants in some versions) worked to store up food for winter. When that season arrives, the grasshopper finds itself dying of hunger and begs the ant for food. However, the ant rebukes its idleness and tells it to dance the winter away now. Versions of the fable are found in the verse collections of Babrius (140) and Avianus (34), and in several prose collections including those attributed to Syntipas and Aphthonius of Antioch. The fable's Greek original cicada is kept in the Latin and Romance translations. A variant fable, separately numbered 112 in the Perry Index, features a dung beetle as the improvident insect which finds that the winter rains wash away the dung on which it feeds.

The fable is found in a large number of mediaeval Latin sources and also figures as a moral ballade among the poems of Eustache Deschamps under the title of La fourmi et le céraseron. From the start it assumes prior knowledge of the fable and presents human examples of provident and improvident behaviour as typified by the insects. As well as appearing in vernacular collections of Aesop's fables in Renaissance times, a number of Neo-Latin poets used it as a subject, including Gabriele Faerno (1563),Hieronymus Osius (1564) and (1604).

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