The Zodiac: Cosmic Sounds
| The Zodiac - Cosmic Sounds | |
|---|---|
 |
|
| Studio album | |
| Released | May 1967 |
| Recorded | 1967 |
| Genre | Psychedelic rock |
| Length | 38:25 |
| Label |
Elektra Reissued by Water Records |
| Producer | Alex Hassilev |
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |
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The Zodiac: Cosmic Sounds (also known, less correctly, as either The Zodiac by Cosmic Sounds, or Cosmic Sounds by The Zodiac - the sleevenotes were unclear) was a collaborative concept album on the theme of the signs of the Zodiac. It was issued by Elektra Records in May 1967 and featured early use of the Moog synthesizer by Paul Beaver, with music written by Mort Garson, words by Jacques Wilson, and narration by Cyrus Faryar. It has been variously described as "a wonderful period piece" and "apt to inspire more giggle fits than stoned, pull-the-shades-down reveries"
The idea began in 1967 with Jac Holzman, the head of Elektra Records, which had just gained major success with The Doors' debut album. Holzman had the initial concept for the album, and hired Alex Hassilev, a member of The Limeliters, to produce it. Hassilev in turn brought in Mort Garson, with whom he had just formed a production company, to write the music. Hassilev and Garson had planned to do a series of concepts following Cosmic Sounds. Garson wrote music for one of the other intended albums, The Sea, but Rod McKuen, who was supposed to have been on the project, left and did his own version with Anita Kerr. Hassilev temporarily left the project to produce The Dusk 'Till Dawn Orchestra's Sea Drift album, which incorporated part of The Sea's intended theme.
Garson brought together a mixture of musicians, most of whom were not credited on the album sleeve. Musician and electronic instrument collector Paul Beaver, who had done music effects for films, was chosen to perform on the Moog synthesizer on the album since he was one of the few people on the West Coast who knew how to set up and use the synthesizer at the time. Beaver and Moog went to the California Audio Engineering Society convention in 1967 to showcase the Moog Synthesizer for the first time on the West Coast.Emil Richards, who had worked with such musicians as Frank Zappa, Marvin Gaye and Henry Mancini, was chosen to provide an assortment of percussive instrumental surprises throughout the album. Bassist Carol Kaye and drummer Hal Blaine, both top on-demand session musicians, were The Zodiac's rhythm section. Bud Shank, a top flute performer, and keyboardist Mike Melvoin were also used. Jacques Wilson wrote the album's narration, and folk singer Cyrus Faryar was chosen (suggested by Hassilev) to narrate over the album's exotic instrumentation.
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