The Thief of Bagdad | |
---|---|
Directed by | Raoul Walsh |
Produced by | Douglas Fairbanks |
Screenplay by |
Achmed Abdullah Lotta Woods |
Story by | Douglas Fairbanks |
Starring | Douglas Fairbanks Snitz Edwards Charles Belcher Julanne Johnston Anna May Wong |
Music by | Mortimer Wilson |
Cinematography | Arthur Edeson |
Edited by | William Nolan |
Distributed by | United Artists |
Release date
|
|
Running time
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140 minutes |
Country | United States |
Language |
Silent film English intertitles |
Budget | $1,135,654.65 |
Box office | $1.5 million or $2 million |
The Thief of Bagdad is a 1924 American swashbuckler film directed by Raoul Walsh and starring Douglas Fairbanks. Freely adapted from One Thousand and One Nights, it tells the story of a thief who falls in love with the daughter of the Caliph of Bagdad. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Fairbanks considered this to be the favorite of his films, according to his son. The imaginative gymnastics suited the athletic star, whose "catlike, seemingly effortless" movements, were as much dance as gymnastics. Along with his earlier Robin Hood (1922), the film marked Fairbanks's transformation from genial comedy to a career in "swashbuckling" roles. The movie, strong on special effects of the period (flying carpet, magic rope and fearsome monsters) and featuring massive Arabian-style sets, also proved to be a stepping stone for Anna May Wong, who portrayed a treacherous Mongol slave.
The Thief of Bagdad is now widely considered one of the great silent films and Fairbanks's greatest work. Fairbanks biographer Jeffrey Vance writes, "An epic romantic fantasy-adventure inspired by several of the Arabian Nights tales, The Thief of Bagdad is the greatest artistic triumph of Fairbanks's career. The superb visual design, spectacle, imaginative splendor, and visual effects, along with his bravura performance (leading a cast of literally thousands), all contribute to making this his masterpiece."
Ahmed (Douglas Fairbanks) robs as he pleases in the city of Baghdad. Wandering into a mosque, he tells the holy man (Charles Belcher) he disdains his religion; his philosophy is, "What I want, I take."