The Tempest (album)
| The Tempest | ||||
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| Studio album by Insane Clown Posse | ||||
| Released | March 20, 2007 | |||
| Recorded | 2006 | |||
| Genre | Midwest hip hop, horrorcore | |||
| Length | 59:41 | |||
| Label | Psychopathic Records | |||
| Producer | Mike E. Clark, DJ Clay | |||
| Insane Clown Posse chronology | ||||
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| Professional ratings | |
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| Source | Rating |
| Allmusic |    |
| PopMatters |   |
The Tempest is the tenth studio album by American hip hop duo Insane Clown Posse. Released in 2007, the album marks the return of producer Mike E. Clark, who had a falling-out with the duo in 2000. However, he did not collaborate directly with ICP, and would not do so until their 2009 album Bang! Pow! Boom!
The album's concept compares a violent storm to a roller coaster; its lyrical themes vary from horrorcore-based character deconstructions and songs about the supernatural to humorous and lighter subject matter. Clark's production was praised by critics, and the album peaked at #20 on the Billboard 200. It is the group's 23rd overall release.
Mike E. Clark produced much of Insane Clown Posse's discography, as well as working with other groups on Psychopathic Records, until having a falling-out with ICP in 2000, after completing ICP's album's Bizaar and Bizzar, and beginning production on the Dark Lotus debut album Tales from the Lotus Pod.
After becoming a full-time producer for Kid Rock, Clark contracted pneumonia, but ignored the illness, and began coughing severely as he awoke, leading to a three-month stay in Mount Clemens General Hospital, during which one of his lungs collapsed three times. As the result of his near-death experience, Clark decided to reconcile with Bruce and Utsler. Phone conversations between Clark and Insane Clown Posse led to Clark producing Shaggy 2 Dope's 2006 solo album F.T.F.O.. The following year, Clark produced The Tempest; however, in both instances, he did not work with Psychopathic Records directly. Because of this, ICP felt that The Tempest was missing the collaborative element that they felt made their earlier albums enjoyable. Clark would not work directly work with Psychopathic Records until 2009's Bang! Pow! Boom!
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