The Stone Roses | ||||
---|---|---|---|---|
Studio album by The Stone Roses | ||||
Released | 2 May 1989 | |||
Recorded | June 1988 – February 1989 | |||
Studio | Battery Studios and Konk in London, and Rockfield in Monmouthshire | |||
Genre | Madchester, jangle pop, rock, pop, alternative rock | |||
Length | 49:02 | |||
Label | Silvertone | |||
Producer | John Leckie | |||
The Stone Roses chronology | ||||
|
||||
Singles from The Stone Roses | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | |
The Daily Telegraph | |
Encyclopedia of Popular Music | |
NME | 7/10 |
Pitchfork | 10/10 |
Q | |
Rolling Stone | |
Spin Alternative Record Guide | 9/10 |
Uncut | |
The Village Voice | B− |
The Stone Roses is the debut album by English rock band the Stone Roses, released in May 1989 by Silvertone Records. The group recorded most of the album at Battery Studios in London with producer John Leckie. Although The Stone Roses was not an immediate success, its standing improved significantly among most critics, many of whom have since voted it high in polls of the greatest albums of all time.
Based in Manchester, where the so-called Madchester movement was centred, The Stone Roses formed in 1983 and released a handful of singles on several different labels. The Stone Roses recorded their self-titled debut album with John Leckie, a producer who had worked with Pink Floyd on Meddle. It was released by Silvertone, a division of Zomba Records created to work with "new rock" acts. The album was recorded primarily at Battery Studios in London, with additional sessions at Konk and Rockfield Studios.
The band played several high-profile gigs supporting the album, including one at what was regarded as the centre of the "baggy"/"Madchester" scene, Manchester's The Haçienda nightclub. Andrew Collins wrote in NME: "Bollocks to Morrissey at Wolverhampton, to The Sundays at The Falcon, to PWEI at Brixton – I'm already drafting a letter to my grandchildren telling them that I saw The Stone Roses at the Haçienda." The Stone Roses' 1990 Spike Island gig, organised by the band and attended by over 27,000 fans, also holds a formidable reputation. Critics have frequently labelled it the 'Woodstock of the baggy generation'. Their eponymous debut brought them nationwide success and soon the band, along with fellow Madchester group Happy Mondays, were perceived as one of the key acts of the baggy scene.