The Spy Who Shagged Me
| Austin Powers: The Spy Who Shagged Me |
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Theatrical release poster
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| Directed by | Jay Roach |
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| Screenplay by |
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| Based on |
Characters by Mike Myers |
| Starring | |
| Music by | George S. Clinton |
| Cinematography | Ueli Steiger |
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Production
companies |
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| Distributed by | New Line Cinema |
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Release date
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Running time
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96 minutes |
| Country | United States |
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| Budget | $33 million |
| Box office | $312 million |
| Austin Powers: The Spy Who Shagged Me: Music from the Motion Picture | ||||
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| Soundtrack album by Various Artists | ||||
| Released | June 1, 1999 | |||
| Recorded | August 1998–May 1999 | |||
| Genre |
Rock pop |
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| Length | 52:30 | |||
| Label | Maverick Records | |||
| Producer | Various Artists | |||
| Austin Powers series chronology | ||||
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| Singles from Austin Powers: The Spy Who Shagged Me: Music from the Motion Picture | ||||
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| More Music from the Motion Picture Austin Powers: The Spy Who Shagged Me | ||||
| Soundtrack album by Various Artists | ||||
| Released | October 26, 1999 | |||
| Genre |
Rock pop |
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| Length | 60:00 | |||
| Label | Maverick Records | |||
| Producer | Various Artists | |||
| Austin Powers series chronology | ||||
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Austin Powers: The Spy Who Shagged Me is a 1999 American spy action comedy film and the second installment in the Austin Powers series. It is preceded by the original film, Austin Powers: International Man of Mystery (1997) and followed by Austin Powers in Goldmember (2002). The film was directed by Jay Roach, co-written by Mike Myers and screenwriter Michael McCullers, and once again stars Myers as the title character. Myers also plays Dr. Evil and Fat Bastard.
The film's title is a play on the 1977 Bond film The Spy Who Loved Me and contains plot elements from The Pink Panther Strikes Again and the other James Bond films, Diamonds Are Forever (laser gun plot), You Only Live Twice (secret volcano base), Moonraker (outer space), The Man with the Golden Gun (Mini-Me based on character Nick Nack) and On Her Majesty's Secret Service (opening sequence in which it turns out that Vanessa Kensington was a fembot).
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