The Partisans | |
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Origin | Bridgend, Wales, United Kingdom |
Genres | Punk rock, Oi! |
Years active | 1978–1984, late 1990s–present |
Labels | se |
Associated acts | Agent Orange, Transvision Vamp, Bush |
Members | Rob "Spike" Harrington Andy Lealand Magnus Neundorff Charlie Claesson |
Past members | Phil Stanton Mark "Shark" Harris Mark "Savage" Parsons Louise Wright Dave Parsons Mikael "Gustav" Gustavsson |
The Partisans are a punk rock band formed in Bridgend, in South Wales in early 1978, when all four members were in their early teens. They continued until 1984, having several hits on the UK Indie Chart. The band re-formed in the late 1990s.
The band formed in early 1978, with an original line-up of Phil Stanton (vocals), Rob "Spike" Harrington (guitar and vocals), Andy Lealand (guitar), Mark "Shark" Harris (drums), and Mark "Savage" Parsons (bass guitar). Parsons and Stanton left in 1979, with Spike moving to lead vocals, and Lealand's girlfriend Louise Wright joining on bass.
Influenced by the likes of the Sex Pistols, The Clash, and The Ramones, the band started off covering punk rock hits and soon started to compose their own material. They were the second band signed to Chris Berry's No Future Records label, and their debut release, the double A-sided Police story/Killing machine was released on 28 September 1981. It reached #5 on the UK Indie Chart, on the back of a tour with label-mates Blitz, and with strong support from Sounds writer Garry Bushell. Following the success of this single, The Partisans were included on the third volume of Bushell's Oi! compilation series Carry On Oi!, which reached #60 on the UK Album Chart, and won the band gig slots with Blitz, Peter and the Test Tube Babies and The Ejected, as well as a 'No Future' night at London's Zig Zag Club with Red Alert, The Lombardos, and Peter and the Test Tube Babies.
The band released its second single, 17 Years of Hell, on 27 May 1982, peaking at #2 on the Indie Charts. This was followed by their self-titled debut LP, released in February 1983. It hit #5 in the Indie Chart and #1 in the Punk Chart, amid considerable critical acclaim from the national press and the underground fanzine culture.