The North Star Grassman and the Ravens
| The North Star Grassman and the Ravens | ||||
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| Studio album by Sandy Denny | ||||
| Released | September 1971 (UK) | |||
| Recorded | March - May 1971 | |||
| Studio | Sound Techniques and Island Studios | |||
| Length | 39:49 | |||
| Label | Island ILPS 9165 (UK) | |||
| Producer | Sandy Denny, Richard Thompson, John Wood | |||
| Sandy Denny chronology | ||||
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| Allmusic |    |
The North Star Grassman and the Ravens is a 1971 album by English folk rock singer-songwriter Sandy Denny. Built mostly around her own compositions, The North Star Grassman and the Ravens is distinguished by its elusive lyrics and unexpected harmonies.
Denny became a solo artist because her previous group Fotheringay dissolved when producer Joe Boyd left to take up a job with Warner Brothers in California when the band were halfway through a second album that was left unfinished until 2008 when it came out as Fotheringay 2. Denny then launched the sequence of solo albums that underlie the claim that she is one of Britain's finest recent singer-songwriters.
Two original compositions from the Fotheringay 2 sessions, "Late November", inspired by a dream and the death of Fairport band member Martin Lamble, and "John the Gun" were re-worked for the album and supplemented by a further six self penned songs and two cover versions, Bob Dylan's "Down in the Flood" and "Let's Jump the Broomstick", recorded by Brenda Lee. Sessions began with Andy Johns producing but in the end the album was produced by Denny herself, current bandmate Richard Thompson and John Wood, who recommended to Denny the film-score arranger Harry Robinson, who added strings to "Next Time Around", a cryptogram about former boyfriend Jackson C. Frank (one of her many portraits in song) and "Wretched Wilbur". Robinson would arrange strings for Denny's further albums as well as for Nick Drake and other artists signed to the same company.
The first songs recorded were the traditional "Blackwaterside" and "Let's Jump the Broomstick" in March 1971 at Sound Techniques. Sessions continued the following month until the end of May at Island studios, where the album was completed with the cutting of the title track, a sea voyage as a metaphor for death inspired by the loss of her friend 'Tigger' (Paul Bamber) who was in the Merchant Navy.
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