Sandy | ||||
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Studio album by Sandy Denny | ||||
Released | September 1972 | |||
Recorded | November 1971 - May 1972 | |||
Studio | Sound Techniques, London and Island Studios, London | |||
Genre | Folk | |||
Length | 40:36 | |||
Label |
Island (UK) ILPS 9207 A&M (US) |
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Producer | Trevor Lucas | |||
Sandy Denny chronology | ||||
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Singles from Sandy | ||||
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Source | Rating |
Allmusic |
Sandy is the second solo album by British folk rock musician Sandy Denny. The album was released in 1972 and begun just a fortnight after her UK tour promoting her debut solo album, The North Star Grassman and the Ravens, ended in early November 1971.
The first song recorded for the album was "The Quiet Joys of Brotherhood", a Richard Fariña lyric he had set to a traditional Irish melody "My Lagan Love"; Denny's ambitious multi-tracked vocal arrangement was inspired by the Ensemble of the Bulgarian Republic. Demo sessions continued at the recently constructed Manor Studio in Oxfordshire, the first studio owned by Richard Branson's Virgin label. It was here that Denny, together with contemporaries, recorded a one-off project called The Bunch, a collection of rock and roll era standards released under the title Rock On. That collection marked Trevor Lucas's debut as a producer for Island Records and he took the helm on Sandy; the album was once again engineered by John Wood. The Manor sessions resulted in rough versions of "Sweet Rosemary", "The Lady", "The Music Weaver", "Listen Listen", "For Nobody to Hear" and "Bushes and Briars". A further two tracks were begun but not finished: a cover version of fellow folk singer Anne Briggs's "Go Your Own Way My Love" and another Denny original "After Halloween", which was reworked three years later for Fairport Convention's Rising for the Moon album.
All of the album's songs were finished at Sound Techniques and Island studios in about five sessions between the end of April and late May, during which string arrangements by Harry Robinson were added and two further Denny compositions were recorded: "It Suits Me Well" and "It'll Take A Long Time". A cover version (the by now ubiquitous Bob Dylan cover) of "Tomorrow Is a Long Time" completed the LP.Allen Toussaint’s brass arrangement on "For Nobody To Hear" was recorded at Deep South Studio in Baton Rouge, Louisiana.