The Morlocks
| The Morlocks | |
|---|---|
| Origin | San Diego, California, United States |
| Genres | Garage rock, garage punk, rock and roll |
| Years active | 1984—1987 2011—present |
| Labels | Midnight Records Epitaph Records Voxx Records Earache Records Dirty Water Records |
| Associated acts | Gravedigger Five |
| Website | Bomp! Records Page |
The Morlocks is an American garage rock band from San Diego, California, which formed in 1984. In its first incarnation, the band consisted of guitarist Tommy Clarke, bassist Jeff Lucas (see Jeffrey Luck Lucas), drummer Mark Mullen, as well as vocalist Leighton Koizumi and guitarist Ted Friedman, former members of the Gravedigger Five. After splitting up in 1987, the group reformed under Koizumi with a different lineup. As of 2011 the band is currently touring China and preparing to record a new album.
The Morlocks began performing together in late August 1984 when the already assembled core band of Jeff Lucas, Tom Clarke, and Mark Mullen, were able to entice former Gravedigger Five members Leighton Koizumi and Ted Friedman into joining the band. The newly formed Morlocks' first performance came in September 1984 at the Rave-Up in Los Angeles; that same night, following their performance, the band received two separate recording offers, opting, after a time, to sign a deal with Midnight Records of New York City.
That December the band recorded their first mini-LP, Emerge, for Midnight Records. The Morlocks recorded the album with a set of smashed instruments destroyed at a show in San Francisco two days earlier by the band The Tell-Tale Hearts, who agreed to lend the band the instruments for the recording session. The album was produced by Jordan Tarlow, the alias of Nadroj Wolrat, who would go on to join The Fuzztones. The label released the album in the spring of 1985.
Following the release of their first LP the band relocated from San Diego to San Francisco where they released a second LP, this time for Epitaph Records. The band's second LP was a live album called Submerged Alive, which featured a performance the band had recorded in Berkeley, California, in 1986. While the album was apparently recorded live, the LP contained clear studio-manipulations of audience noise, prompting some to label it a "fake" live album.
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