The Lost Boyz

Lost Boyz
(left to right) Freaky Tah, Spigg Nice, Mr. Cheeks, and Pretty Lou.
Background information
Origin	South Jamaica, Queens, New York, United States
Genres	Hip hop
Years active	1994–1999, 2010–present
Labels	Uptown, Universal, Contango
Associated acts	Canibus, Redman, A+
Website	http://lostboyzmusic.com/
Members	Mr. Cheeks DJ Spigg Nice Pretty Lou
Past members	Freaky Tah (deceased)

Lost Boyz is a hip hop group from South Jamaica, Queens, New York City. The original group members were lead MC Mr. Cheeks, backup MC and promoter Freaky Tah (1971–1999), DJ Spigg Nice and Pretty Lou.

In 1995, the group released their debut single "Lifestyles Of The Rich & Shameless ", charting on the Billboard Hot 100. The release landed them a record deal with Uptown Records. The group contributed a single to the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, titled "Renee". The song became a major hit, breaking into the Top 40 on the Hot 100 chart. The single also reached Gold status in 1996. On June 4, 1996, they released their debut album Legal Drug Money. The work was highly acclaimed, and the album featured five Hot 100 hits, including their past singles "Lifestyles of the Rich & Shameless", "Renee", as well as "Music Makes Me High" Which was Remixed By Platinum Producer Frankie Cutlass, "Jeeps, Lex Coups, Bimaz & Benz" and "Get Up". The album was certified Gold by the RIAA in late 1996. Their second album, Love, Peace & Nappiness, was released on June 17, 1997 on Uptown/Universal Records. It featured another Hot 100 hit single, "Me & My Crazy World". One of the most famous songs on the album was the posse-cut "Beasts From The East", featuring A+, Redman and Canibus. The album wasn't as acclaimed as their debut, but fared well commercially, reaching Gold status in late 1997 said by Money L of LB Management.

In 1996, the group appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Wu-Tang Clan, Coolio, and Fat Joe, among others. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine.