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The Line, the Cross and the Curve

The Line, The Cross and the Curve
Directed by Kate Bush
Produced by Margarita Doyle
Written by Kate Bush
Starring Kate Bush
Miranda Richardson
Lindsay Kemp
Music by Kate Bush
Cinematography Roger Pratt
Edited by Julian Rodd
Distributed by Picture Music International
Release date
  • 13 November 1993 (1993-11-13) (London Film Festival)
  • 6 May 1994 (1994-05-06)
Running time
50 minutes
Language English

The Line, the Cross and the Curve is a 1993 British musical short film directed by and starring singer Kate Bush, co-starring Miranda Richardson and noted choreographer Lindsay Kemp, who had served as dance mentor to Bush early in her career.

This short film is essentially an extended music video featuring songs from Bush's 1993 album, The Red Shoes, which in turn was inspired by the classic movie musical-fantasy The Red Shoes.

In this version of the tale, Bush plays a frustrated singer-dancer who is enticed by a mysterious woman (Richardson) into putting on a pair of magical ballet slippers. Once on her feet, the shoes start dancing on their own, and Bush's character (who is never referred to by name) must battle Richardson's character to free herself from the spell of the shoes. Her guide on this strange journey is played by Kemp.

The film was released direct-to-video in most areas and was only a modest success; Kate Bush later expressed her displeasure with the final product, calling it "a load of bollocks". Soon after its release, Bush effectively dropped out of the public eye until her eighth studio album, Aerial, was released in November 2005.

Two years after the UK release, due to late promotion in the US, the film was nominated for the Long Form Music Video at the 1996 Grammy Awards.

The film continues to be played in arthouse cinemas around the world, such as a screening at Hollywood Theatre in 2014 where the film was screened along with modern dance interpretations to Bush's music.

All songs apart from "Lily" were also used as promotional videos for the corresponding singles from Bush's The Red Shoes album. The version used for "Eat the Music" had several differences from the film version, excising all footage featuring Richardson and of Bush's ballet shoe-clad feet running across the fruit-covered floor, while adding additional dancing and singing sequences featuring Bush and new footage featuring two male dancers sparring with watermelons on their heads and of Bush having a line of black make-up applied to her cheeks.


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