The Island is a play written Athol Fugard, John Kani, and Winston Ntshona.
The apartheid-era drama, inspired by a true story, is set in an unnamed prison clearly based on South Africa's notorious Robben Island, where Nelson Mandela was held for twenty-seven years. It focuses on two cellmates, one whose successful appeal means that his release draws near and one who must remain in prison for many years to come. They spend their days performing futile physical labor and nights rehearsing in their cell for a performance of Sophocles' Antigone in front of the other prisoners. One takes the part of Antigone, who defies the laws of the state to bury her brother, and the other takes the part of her uncle Creon, who sentences her to die for her crime of conscience. The play draws parallels between Antigone's situation and the situation of black political prisoners. Tensions arise as the performance approaches, especially when one of the prisoners learns that he has won an early release and the men's deep friendship is tested. The Island bears testament to the resiliency of the human heart.
The play has four scenes. It opens with a lengthy mimed sequence in which John and Winston, two cell mates in prison on Robben Island, shovel sand in the scorching heat, dumping the sand at the feet of the other man, so that the pile of sand never diminishes. This is designed to exhaust the body and the morale of the prisoners. It later includes a play within a play, as Winston and John perform a condensed two-person version of Antigone by Sophocles.
The play was first performed in Cape Town, at a theatre called The Space, in July 1973. In order to evade the draconian censorship in South Africa at the time (plays dealing with prison conditions, etc., were prohibited), the play premiered under the title, Die Hodoshe Span. It was next staged at the Royal Court Theatre in London, with John Kani and Winston Ntshona portraying John and Winston respectively. The Broadway production, presented in repertory with Sizwe Banzi Is Dead, opened on November 24, 1974 at the Edison Theatre, where it ran for 52 performances.