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Sizwe Banzi Is Dead

Sizwe Banzi Is Dead
SizweBanzi.jpg
Poster for the 2007 Royal National Theatre production
Written by Athol Fugard
John Kani
Winston Ntshona
Characters Styles
Robert (Sizwe Banzi)
Buntu
Date premiered 1972

Sizwe Banzi Is Dead (originally produced and published as: Sizwe Bansi is Dead) is a play by Athol Fugard, written collaboratively with two South African actors, John Kani and Winston Ntshona, both of whom appeared in the original production. Its world première occurred on 8 October 1972 at the Space Theatre, Cape Town, South Africa. Its subsequent British première won a London Theatre Critics Award for the Best Play of 1974. Its American première occurred at the Edison Theatre, in New York City, on 13 November 1974.

The play opens in the photography studio of a man named Styles. The studio is located in New Brighton, Port Elizabeth, South Africa. After reading a newspaper article on an automobile plant, Styles tells a humorous story to the audience about an incident that occurred when he worked at Ford Motor Company.

Styles continues to read the paper and talks about his photography studio. His musings are interrupted when a customer, Sizwe Bansi, arrives. He asks to have his picture taken, but when Styles asks him for his deposit and name, Sizwe hesitates, then says his name is Robert Zwelinzima. Styles asks Sizwe what he will do with the photo, and Sizwe tells him he will send it to his wife. When the picture is taken, the moment is frozen into what the photograph will look like. It comes to life and Sizwe dictates the letter to his wife that will accompany the photo.

In the letter, Sizwe tells his wife that Sizwe Bansi is dead. He writes that when he arrived in Port Elizabeth from their home in King William’s Town, he stayed with a friend named Zola who tried to help Sizwe find a job. His employment search was unsuccessful; as a result, he was told by the authorities that he must leave in three days. Sizwe went to stay with Zola’s friend, Buntu.

The play returns to present time. Staying at Buntu’s house, Sizwe tells Buntu about his problems — unless a miracle happens, he will have to leave town in three days. Buntu is sympathetic to the problem and suggests he work in the mines in King William’s Town. Sizwe rejects the idea as too dangerous. Buntu decides to take him out for a treat at Sky’s place, a local bar.

The focus switches back to Sizwe as he continues to compose the letter to his wife. He describes his experiences at Sky’s Shebeen, where he was served alcohol by a woman in a respectful manner.


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