The Guest
| "The Guest" | |
|---|---|
| Author | Albert Camus |
| Original title | "L'Hôte" |
| Country |
 France
|
| Language | French |
| Genre(s) | Absurdism |
| Published in | Exile and the Kingdom |
| Publication type | Collection of short stories |
| Publication date | 1957 |
"The Guest" (French: L'Hôte) is a short story by the French writer Albert Camus. It was first published in 1957 as part of a collection entitled Exile and the Kingdom (L'exil et le royaume). The French title "L'Hôte" translates into both "the guest" and "the host" which ties back to the relationship between the main characters of the story. Camus employs this short tale to reflect upon issues raised by the political situation in French North Africa. In particular, he explores the problem of refusing to take sides in the colonial conflict in Algeria, something that mirrors Camus' own non-aligned stance which he had set out in his Nobel Prize acceptance speech.
The story takes place in Algeria and begins with two men climbing a rocky slope. One of them, the gendarme Balducci, is on horseback and the other, an Arab prisoner, is on foot. At the summit of the hill, a school teacher named Daru watches them climb their way up. There are no students at the school at this time because they stayed home during the blizzard. The two men reach the top of the slope and come to meet Daru. Balducci, an acquaintance of Daru, tells Daru he is ordered by the government to take the prisoner to the police headquarters in Tinguit as a service to his fellow officers. Daru inquires about the crime the Arab committed and Balducci says that he slit his cousin's throat in a fight for some grain, and adds that the prisoner is probably not a rebel. As Balducci is leaving, Daru tells him that he will not take the Arab to Tinguit. Balducci is angered by this and makes Daru sign a paper that states the prisoner is in Daru's custody, then he leaves them. Daru feeds the Arab and gives him a cot to sleep on for the night. In the morning, Daru takes his captive slightly down the mountain and sets him free. He supplies the prisoner with a thousand francs and some food and tells him if he goes east, he can turn himself in to the police in Tinguit. If he goes south, he can hide with the nomads. Daru then goes back to the school, leaving the prisoner to make his decision. A while later, Daru looks back and sees the prisoner heading east to Tinguit, most likely to turn himself in. When Daru looks back at the blackboard in his classroom, there is a message written on it that says, "Tu as livré notre frère. Tu paieras." (You have turned in our brother, you will pay).
This piece is characteristic of existentialism, the prevalent school of thought among the era's literature. It also presents Camus' concept of absurdism, as well as many examples of human choices. The dilemmas faced by Daru are often seen as representing the dilemmas faced by Camus regarding the Algerian crisis and there are many similarities between the character of Daru and his creator Camus. Both are French Algerians exiled by the choices they have made. The main themes of "The Guest" are of choice and accountability. Camus emphasizes, characteristically of existentialist philosophy, that there is always a choice, that the only choice unavailable is not to choose. Daru chooses how he will handle Balducci and whether he will turn in the prisoner; the prisoner chooses whether to go to jail or to freedom. More important, however, is the theme of accountability. The essence of Camus's philosophy is that everyone is "condemned" to an eventual, inevitable death, and accepting this allows for a certain freedom; the prisoner, having achieved self-awareness when Daru gave him the choice to flee or go to jail, realizes the futility of fleeing from the inevitable punishment and goes willingly to jail, thus revolting against the inevitable by making the decision of his own accord and holding himself accountable for the murder.
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