The Good Person of Setzuan

The Good Person of Szechwan (German: Der gute Mensch von Sezuan, first translated less literally as The Good Woman of Setzuan) is a play written by the German theatre practitioner Bertolt Brecht, in collaboration with Margarete Steffin and Ruth Berlau. The play was begun in 1938 but not completed until 1941, while the author was in exile in the United States. It was first performed in 1943 at the Zürich Schauspielhaus in Switzerland, with a musical score and songs by Swiss composer Huldreich Georg Früh. Today, Paul Dessau's composition of the songs from 1947–48, also authorized by Brecht, is the better-known version. The play is an example of Brecht's "non-Aristotelian drama", a dramatic form intended to be staged with the methods of epic theatre. The play is a parable set in the Chinese "city of Sichuan".

Originally, Brecht planned to call the play The Product Love (Die Ware Liebe), meaning "love as a commodity". This title was a play on words, since the German term for "true love" (Die wahre Liebe) is pronounced the same way.

The play follows a young prostitute, Shen Te, as she struggles to lead a life that is "good" according to the terms of the morality taught by the gods and to which her fellow citizens of Szechwan (Sichuan) pay no regard, without allowing herself to be abused and trod upon by those who would accept and, more often than not, abuse her goodness. Her neighbors and friends prove so brutal in their filling of their bellies that Shen Te is forced to invent an alter ego to protect herself: a male cousin named Shui Ta, who becomes a cold and stern protector of Shen Te's interests. The theme of qualitative "goodness" (which seemed so simple and obvious in the title of the play) is rendered unstable by application to both genders, as Shen Te realizes she must operate under the guise of both in order to live a good life. It has been argued that Brecht's use of the literary device of the split character in this play is a representation of the antagonism between individual-being and species-being that underlies bourgeois societies.

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