The Flaming Lips and Heady Fwends | ||||
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Studio album by The Flaming Lips | ||||
Released | April 21, 2012 | |||
Recorded | 2011–2012 | |||
Genre | Experimental rock, psychedelic rock | |||
Length | 69:17 | |||
Label | Warner Bros., Lovely Sorts of Death, Bella Union | |||
Producer | The Flaming Lips, Dave Fridmann | |||
The Flaming Lips chronology | ||||
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CD/Digital cover | ||||
Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 72/100 |
Review scores | |
Source | Rating |
Allmusic | |
Entertainment Weekly | A |
Pitchfork Media | 8.2/10 |
Spin | 6/10 |
Clash | 8/10 |
The Flaming Lips and Heady Fwends is the first album in the "Fwends" series by the American rock band The Flaming Lips in collaboration with a variety of guests.
Recorded throughout 2011 and 2012, the album was released as a limited edition on vinyl for Record Store Day on April 21, 2012 and on CD and digitally on June 26, 2012. Four songs from the album were previously released on collaborative EPs in 2011.
Following their last full-length album, 2009's Embryonic, the band produced several EPs with other artists including Neon Indian, Lightning Bolt, Prefuse 73, and Yoko Ono. Four tracks from these sessions appear on the album. The remaining seven songs were recorded at different times and locations, and are exclusive to the LP. The CD and digital releases of the album omit the track "I Don't Want You to Die" featuring Chris Martin, but feature an exclusive track with Aaron Behrens of Ghostland Observatory, "Tasered and Maced".
The Erykah Badu version of Ewan MacColl's "The First Time Ever I Saw Your Face", was a result of Lips frontman Wayne Coyne's unsolicited calls to the singer. Badu was initially opposed to covering the well-known 1957 song, but Coyne was able to convince her.
Other pairings resulted from the initiative of other artists, such as the Kesha track. Kesha had expressed interest in working with the Flaming Lips while visiting the band's hometown, Oklahoma City. She contacted Coyne by text message on his birthday. Her track, "2012 (You Must Be Upgraded)", was recorded in Kesha's home studio in Nashville.
Pitchfork Media commented on the wide variety of collaborators; mainstream artists such as Kesha and Coldplay's Chris Martin share space with more experimental artists such as Lightning Bolt and Prefuse 73. Despite the disparate artists involved, Pitchfork stated "[t]his piecemeal patchwork of tracks hangs together amazingly well as a front-to-back album." The website rated the album 8.2 out of 10.Entertainment Weekly gave the album an A rating.Spin was less positive; giving a 6 out of 10 rating, they quipped that the other artists were "globetrotters on Gilligan's Acid Island".Clash commented that the numerous guests tempered the band's usual outlandish workouts but did note that "Whilst that suppressed weirdness may be a detraction to the diehard fans, it makes for the band's most accessible work since Yoshimi...."