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The Filth and the Fury

The Filth and the Fury
Filthandthefury.jpg
British DVD cover
Directed by Julien Temple
Produced by Anita Camarata
Amanda Temple
Written by Julien Temple
Starring John Lydon
Steve Jones
Glen Matlock
Paul Cook
Sid Vicious
Malcolm McLaren
Music by Sex Pistols
Cinematography Julien Temple
Edited by Niven Howie
Production
company
Film Four
Jersey Shore
Nitrate Film
Panacea Entertainment
The Sex Pistols Residuals
Distributed by Film Four
Fine Line Features
United King Films
Release date
  • 25 January 2000 (2000-01-25) (Sundance)
  • 12 May 2000 (2000-05-12) (UK)
Running time
108 minutes
Country United Kingdom
Language English

The Filth and the Fury is a 2000 British rockumentary film directed by Julien Temple. It focuses on the story of the punk rock pioneers Sex Pistols, and is considered a continuation of Temple's first documentary centered on the band, The Great Rock and Roll Swindle.

The Filth and the Fury is the second movie Julien Temple made about The Sex Pistols. His first effort was The Great Rock and Roll Swindle, which was released in British cinemas on 15 May 1980. This earlier effort was heavily criticised for being too skewed towards the Pistols' manager Malcolm McLaren's version of events about the band.The Filth and the Fury tells the story from the viewpoint of the band members themselves (albeit in silhouette during their contemporary interviews).

The title of the film is a reference to a headline that appeared in the British tabloid newspaper The Daily Mirror on 2 December 1976 after an interview on ITV's Today presented by Bill Grundy. The title of The Daily Mirror article was itself inspired by William Faulkner's novel The Sound and the Fury which was in turn taken from a line in Shakespeare's Macbeth.

Temple's documentary charts the rise, decline and fall of the Sex Pistols from their humble beginnings in London's Shepherd's Bush to their disintegration at the Winterland Ballroom in San Francisco. Temple puts the band into historical context with Britain's social situation in the 1970s through archival footage from the period. This film was seen in some ways as an opportunity for the Pistols to tell their side of the story, mostly through interviews with the surviving members of the group, footage shot during the era, and outtakes from The Great Rock and Roll Swindle.


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