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The Sound and the Fury

The Sound and the Fury
TheSoundAndTheFuryCover.jpg
First edition
Author William Faulkner
Country United States
Language English
Genre Southern Gothic novel
Modernist novel
Published 1929
Publisher Jonathan Cape and Harrison Smith
Publication date
1929
Pages 326 pp
OCLC 21525355
813/.52 20
LC Class PS3511.A86 S7 1990

The Sound and the Fury is a novel written by the American author William Faulkner. It employs a number of narrative styles, including the technique known as stream of consciousness, pioneered by 20th-century European novelists such as James Joyce and Virginia Woolf. Published in 1929, The Sound and the Fury was Faulkner's fourth novel, and was not immediately successful. In 1931, however, when Faulkner's sixth novel, Sanctuary, was published—a sensationalist story, which Faulkner later claimed was written only for money—The Sound and the Fury also became commercially successful, and Faulkner began to receive critical attention.

In 1998, the Modern Library ranked The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century.

The Sound and the Fury is set in Jefferson, Mississippi. The novel centers on the Compson family, former Southern aristocrats who are struggling to deal with the dissolution of their family and its reputation. Over the course of the 30 years or so related in the novel, the family falls into financial ruin, loses its religious faith and the respect of the town of Jefferson, and many of them die tragically.

The novel is separated into four distinct sections. The first, April 7, 1928, is written from the perspective of Benjamin "Benjy" Compson, a cognitively disabled 33-year-old man. The characteristics of his impairment are not clear, but it is hinted that he has a learning disability. Benjy's section is characterized by a highly disjointed narrative style with frequent chronological leaps. The second section, June 2, 1910, focuses on Quentin Compson, Benjy's older brother, and the events leading up to his suicide.

In the third section, April 6, 1928, Faulkner writes from the point of view of Jason, Quentin's cynical younger brother. In the fourth and final section, set a day after the first, on April 8, 1928, Faulkner introduces a third person omniscient point of view. The last section primarily focuses on Dilsey, one of the Compsons' black servants. Jason is also a focus in the section, but Faulkner presents glimpses of the thoughts and deeds of everyone in the family.


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