The Fall of the Roman Empire (film)
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| Directed by | Anthony Mann |
| Produced by | Samuel Bronston |
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| Music by | Dimitri Tiomkin |
| Cinematography | Robert Krasker |
| Edited by | Robert Lawrence |
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| Distributed by | Paramount Pictures |
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188 minutes |
| Country | United States |
| Language | English |
| Budget | $19 million |
| Box office | $4.75 million |
The Fall of the Roman Empire is a 1964 American epic film directed by Anthony Mann and produced by Samuel Bronston, with a screenplay by Ben Barzman, Basilio Franchina and Philip Yordan. The film stars Sophia Loren, Stephen Boyd, Alec Guinness, James Mason, Christopher Plummer, Mel Ferrer, and Omar Sharif
The film was a financial failure at the box-office. Despite this, it is considered unusually intelligent and thoughtful for a film of the contemporary sword and sandal genre and also enjoys a 100% "Fresh" rating at Rotten Tomatoes. It features the largest outdoor film set in the history of film, a 92,000 m2 replica of the Roman Forum.
The film's name refers not to the final fall of the Roman empire, which did in fact survive for centuries after the period depicted in the film, but rather to the onset of corruption and decadence which led to Rome's final demise. It deals extensively with the problem of imperial succession, and examines both the relationship between father and son on the background of imperial politics as well as the nature and limits of loyalty and friendship.
In the winter of 180 A.D., the Roman emperor Marcus Aurelius fights to keep Germanic barbarians from invading his northern territories on the Danube frontier. His deputies are the Greek ex-slave Timonides, a closet Christian, and the stern and honest general Gaius Livius. Livius has close connections with the imperial family, being the lover of Aurelius' philosopher daughter Lucilla and a friend of her brother Commodus. Nevertheless, he is amazed to hear that Aurelius wants to make him his heir. Despite his military obligations the emperor has egalitarian ideals, dreaming of a day when Rome grants equal rights to men of all nations. He knows that he will not live to achieve this end, and trusts Livius to do so more than his charismatic but brutal son. The discovery that his father has effectively disinherited him hurts Commodus immensely, and damages the almost brotherly relationship he had enjoyed with Livius.
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Wikipedia