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The Ecstatic

The Ecstatic
A red-tinted film still showing a boy jumping from one roof to another
Studio album by Mos Def
Released June 9, 2009
Studio Record Plant and Someothaship Connect in Los Angeles; Downtown Music Studios in New York City; Hovercraft Studios in Virginia Beach
Genre Conscious rap, alternative hip hop
Length 45:34
Label Downtown
Producer Georgia Anne Muldrow, J Dilla, Madlib, Mos Def, Mr. Flash, The Neptunes, Oh No, Preservation
Mos Def chronology
True Magic
(2006)
The Ecstatic
(2009)
Singles from The Ecstatic
  1. "Life in Marvelous Times"
    Released: November 4, 2008
  2. "Quiet Dog Bite Hard"
    Released: January 13, 2009
  3. "Casa Bey"
    Released: May 26, 2009
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Entertainment Weekly B+
The Guardian 4/5 stars
The Irish Times 4/5 stars
MSN Music A
Pitchfork 8/10
Rolling Stone 3/5 stars
Spin 9/10
The Times 5/5 stars
USA Today 3.5/4 stars

The Ecstatic is the fourth studio album by American rapper Mos Def. After venturing further away from hip hop with an acting career and two poorly received albums, Mos Def signed with Downtown Records and recorded The Ecstatic primarily at the Record Plant in Los Angeles. He worked with producers such as Preservation, Mr. Flash, Oh No, and Madlib, the latter two of whom reused instrumentals they had produced on Stones Throw Records. Singer Georgia Anne Muldrow, formerly of the record label, was one of the album's few guest vocalists, along with rappers Slick Rick and Talib Kweli. For its front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in red tint.

The Ecstatic was described by music journalists as a conscious and alternative hip hop record with an eccentric, internationalist quality. Mos Def's raps about global politics, love, spirituality, and social conditions were informed by the zeitgeist of the late 2000s, Black internalionalism, and Pan-Islamic ideas, as he incorporated a number of Islamic references throughout the album. Its loosely structured, lightly reverbed songs used unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def titled The Ecstatic after one of his favorite novels—the 2002 Victor LaValle book of the same name—believing its titular phrase evoked his singular creative vision for the album.


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Wikipedia

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