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The Bravery (album)

The Bravery
Bravery.jpg
Studio album by The Bravery
Released March 14, 2005
Recorded 2004
Genre Indie rock, post-punk revival, dance-punk
Length 37:51
Label Polydor (UK), Island (US)
Producer Sam Endicott
The Bravery chronology
The Bravery
(2005)
The Sun and the Moon
(2007)
Singles from The Bravery
  1. "An Honest Mistake"
    Released: 28 February 2005
  2. "Fearless"
    Released: 23 May 2005
  3. "Unconditional"
    Released: 29 August 2005
Professional ratings
Aggregate scores
Source Rating
Metacritic 66/100
Review scores
Source Rating
AllMusic 3.5/5 stars
Lost At Sea (8/10)
NME (7/10)
Pitchfork Media (5.3/10)
PopMatters (7/10)
Robert Christgau (dud)
Rolling Stone 3/5 stars
Uncut 5/5 stars

The Bravery is the self-titled debut album by New York indie rock band The Bravery, released in March 2005. It peaked at #18 on the US charts and at #5 on the UK charts.

The first single from the album, "An Honest Mistake", was released on February 28, 2005. The UK and Japanese releases of the album contain the bonus track "Hot Pursuit". The version on the Japanese edition is a different mix, featuring Gillian Conway (keyboardist John Conway's sister) on vocals, along with Sam Endicott.

The track "Swollen Summer" is featured in the PlayStation 2 game, Gran Turismo 4. The Bravery opened up their set with this song at the July 27, 2008 Projekt Revolution concert held in the Nissan Pavilion in Bristow, Virginia. The song "Unconditional" is featured in the PlayStation 2 game, Tony Hawk's American Wasteland. The song "An Honest Mistake" is featured in the video games True Crime: New York City and MVP Baseball 2005.

The Bravery garnered positive reviews from music critics who praised their interpretation on the new wave revival scene. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 66, based on 24 reviews.

Steve Sutherland of Uncut gave high praise to the new wave revivalist production and the band's musicianship resembling that of their inspirations, in terms of vocals and instrumentals, concluding that, "This album is already one of the debuts of the year. All hail The Bravery and their new bold dream." MacKenzie Wilson of AllMusic praised the band for taking their influences and making them their own with catchability and upbeat optimism, saying that, "The Bravery isn't sonically mind-blowing, but the new millennium new wave revival remains intriguing. This New York five-piece makes an interesting effort without it coming off contrived and dishonest." While finding Endicott's vocal delivery mediocre at best, Nicholas Taylor of PopMatters praised the danceable production and devil-may-care lyrics for giving the band a nice platform to start from, concluding with, "This debut is certainly promising, and I look forward to seeing whether the Bravery can begin to carve out a more concrete and distinctive image and place for themselves."Robert Christgau graded the album as a "dud", indicating "a bad record whose details rarely merit further thought." Adam Moerder of Pitchfork Media criticized the band's unremarkable take on '80s new wave with lacklustre instrumentals and Endicott's vocals for sounding too close to Robert Smith and Simon Le Bon. He gave praise to the tracks "An Honest Mistake" and "Tyrant" for their intricacies in terms of synth and vocal choices, concluding that "Despite these highlights, though, this is still rock made on an assembly line— predictable, economically efficient, and about as dynamic as a Model T."


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